Category Archives: Tourist Attractions

Tourist attractions of London

Discover the man behind the maps at James Cook: The Voyages at the British Library

© Sam Lane Photography © British Library

James Cook’s account of his first landing in Australia is on display at the British Library exhibition
© Sam Lane Photography © British Library

This August will mark 250 years since Captain James Cook’s ship Endeavour set sail from Plymouth. It was the first of three important voyages that changed the world. Although the figure of Cook can be somewhat controversial at times, there’s no arguing that he and his crew were responsible for some amazing exploration of the planet in challenging conditions.

To mark the anniversary, the British Library have curated a special exhibition following the story of Cook’s three voyages from 1768 to his death in Hawaii in 1779. This fascinating collection features many of the original maps, logbooks, sketches, and artefacts collected during the three expeditions. While many of Cook’s predecessors sought solely to claim new lands for their empires, his voyages were more intellectually minded as well with a goal to study the life and culture of the lands they visited. Joining him on the various vessels used over the decade were artists, botanists and astronomers.

The exhibition is split into sections covering how the world was before Cook and how he changed the world’s map. It was amazing to see a copy of Dutch explorer Abel Tasman’s journal of his discovery of Tasmania and New Zealand. Following a brief introduction to world maps at that time, the exhibition begins chronically with Cook’s first voyage (1768-1771), taking in Tahiti, several Pacific islands, New Zealand and Australia’s east coast. During this trip, the botanist Joseph Banks (1743-1820) and his team collected thousands of animal and plant specimens. The exhibition features a sea urchin and squid captured and preserved by Banks from the Pacific Ocean. There are also drawings of the various native people they came into contact with upon arrival in each country or island, such as the Tahitians and Maoris, and their culture. What is particularly amazing about this collection were the various maps of New Zealand drawn by Cook himself. Tasman before him only saw a small section of NZ, whereas Cook’s voyage managed to circumnavigate both the north and south island. If you consider he didn’t have satellite or drones like we would have today, to map an entire country’s coastline as near-accurate as he is did in the 18th century is pretty impressive. It was also on this voyage, Cook’s men caught their first sight of the Kangaroo, which is featured in a sketch by Sydney Parkinson, the first European drawing of the marsupial.

© Sam Lane Photography © British Library

William Hodges’ sketch of War Canoes in Tahiti (1774-75)
© Sam Lane Photography © British Library

The remainder of the exhibition continues in the same vein, with areas dedicated to the second voyage (1772-1775), which he crossed the Antarctic Circle and proved the so-called huge land mass named ‘Terra Australia’ was actually a myth. The third and Cook’s final voyage (1776-1779) resulted in the Captain’s death in Hawaii after clashing with the Hawaiians. Admittedly, Cook and his men made some mistakes along the way, although some of those you could blame the European colonialist attitude of the time. The pros and cons of Cook’s voyages, in terms of colonization and mapping is addressed by experts from both sides in a series of videos. In our world right now, we are so used to globalisation, it’s hard to imagine when the other side of the world was completely unknown and so dramatically different to our own way of life. Looking through Cook and his colleagues’ logbooks and diaries and seeing the images of the ships, you really get a sense of how treacherous and challenging these voyages were. It’s no wonder so many men never returned, dying from diseases or following violent clashes with the people they met along the way. Seeing these historic men’s handwriting was amazing and, admittedly, difficult to read at time with their small Georgian scrawls. It was particularly poignant to see Cook’s last ever logbook entry on 6 January 1779 – a week before he was killed in a skirmish over a stolen smaller boat.

Before this exhibition, I didn’t know much of Cook, a man I’d seen in various statues in New Zealand and Australia and had never really thought of him as a three-dimensional character. This fascinating exhibition has really provided a vivid and human picture of this famous figure together with the men who sailed with him and how they changed the world with these epic voyages.

  • James Cook: The Voyages is on from now until 28 August 2018. At the PACCAR Gallery, The British Library, 96 Euston Road, NW1 2DB. Nearest station: King’s Cross St Pancras or Euston. Opening hours vary. Tickets: Adults £14, Senior £11, Students: £7 (free for members). For more information and tickets, visit the British Library website.

Metro Girl likes: While you’re in the British Library, head to the free exhibition Treasures of the British Library. You can look at genuine manuscripts, books and letters from some of Britain’s most iconic figures. Among the collection on display includes the original 1215 Magna Carta; Jane Austen’s writing desk and a 1809 letter to her brother Frank; Beatles’ handwritten lyrics; a 1603 letter from Queen Elizabeth I and Sir Christopher Wren’s designs for The Monument. Currently, the Treasures room also features a small exhibition (until 5 August 2018) on Karl Marx and his daughter Eleanor. It includes a first edition of the Communist Manifesto, letters from Eleanor after her father’s death, and a chair from the original British Library Reading Room which Marx is likely to have sat in. After you’ve had a good read, head to the nearby Gilbert Scott bar in the St Pancras Renaissance Hotel for a cocktail.

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Delve into the history of the arts and crafts movement at the William Morris Society

© Memoirs Of A Metro Girl 2018

Kelmscott House is the former London home of William Morris and the current base for the William Morris Society

The name William Morris is often associated with home interiors, with some of his iconic patterns still available to buy today. However, the man himself was so much more, with poet, novelist, translator, and socialist activist among the many hats he wore. Born to a middle-class family in Walthamstow in 1834, William Morris became influenced by the Medieval world while studying the Classics at Oxford University. The Medieval period appealed to Morris because of its chivalric values and a more organic manufacturing process. He disliked what the Industrial Revolution had done to British people and their homes. He saw people were moving away from nature into the cities and were doing repetitive tasks, while their houses were full of identical, lower quality factory-made products. Morris grew to dislike capitalism and became enamoured with socialism. When he was at Oxford, Morris found a kindred spirit in artist and designer Edward Burne-Jones (1833-1898), who went on to become a lifelong friend and collaborator. Following graduation, Morris became an apprentice to Neo-Gothic architect George Edmund Street (1824-1881), where he met fellow apprentice Philip Webb (1831-1915). However, Morris soon tired of architecture and wanted to focus on art. Around this period, he was spending a lot of time with Burne-Jones, who had become an apprentice to Pre-Raphaelite painter Dante Gabriel Rossetti (1828-1882). Morris and Burne-Jones ended up living together in a flat at 17 Red Lion Square in Bloomsbury.

© Memoirs Of A Metro Girl 2018

Original William Morris strawberry thief textiles

By the mid 1850s, Morris was writing poetry and designing furniture, manuscripts and hangings in a medieval style. While he hadn’t established a successful career at this point, his personal life appeared to be going well as he married Jane Burden (1839-1914) in 1859. Following his marriage, Morris teamed up with architect Webb to design a family home, The Red House, in Bexleyheath, south-east London. The house was very different from the Victorian and Georgian designs and exists today as a unique example of arts and crafts architecture. After furnishing The Red House in a Medieval style, Morris founded a decorative arts company, Morris, Marshall, Faulkner & Co in 1861. They aimed to bring the craftmanship and beauty of the Middle Ages back to British homes. It sold furniture, murals, architectural carvings, metalwork and stained glass windows. With Victorians going nuts for Neo-Gothic architecture, the company’s stained glass in particular was a big hit. It didn’t take long before the wealthy became fans of MMF&Co’s aesthetic. Despite Morris’s socialist values, his products did have higher labour costs, so weren’t as accessible to the lower classes. A year after establishing the company, Morris abandoned painting and started designing wallpaper. Read the rest of this entry

Guide to London’s urban beaches and lidos this summer 2018

© Memoirs Of A Metro Girl 2018

Soak up the sun at one of London’s urban beaches

When the sun comes out, most of us have the urge to head to a park, rooftop bar or… the beach. However, this can cause issues with the capital being a couple of dozen of miles from the nearest seaside. Fortunately, in the past few years, urban beaches have been cropping up around London. Some are patches of sand accompanied by water, while some have a full-blown beach club so you can close your eyes and imagine you’re on the French Riviera. However, if sand isn’t your thing and you just fancy a swim, you can always visit one of the city’s lidos or swimming ponds.

  • 3 May – TBA September : Fulham Beach Club

The popular Neverland has had a summer makeover, featuring day beds, private beach huts and cabanas, two bars, Jimmy Garcia’s BBQ Club pop-up, live DJs, croquet, beer pong, shuffleboard and ping pong. They also host special events include bottomless brunches, yoga classes, fancy dress parties and sports screenings. Open Wed-Fri 6pm-11pm, Sat 12pm-11pm, Sun 12pm-9pm. Entrance starts from £5 (free to SW6 residents all days except Sat). Neverland, 364 Wandsworth Bridge Road, Fulham, SW6 2TY. Nearest station: Wandsworth Town. For more information, visit the Neverland Fulham website.

  • 21 May – 21 September : Beach Bar @ The Montague Hotel

Pop-up beach bar returns to the gardens of The Montague Hotel. Featuring real sand, beach hut, tropical cocktails, palm trees, BBQ and jet ski selfie area. Open Mon-Sun 12pm-10pm. Packages start from £50. The Montague Hotel, 15 Montague Street, Bloomsbury, WC1B 5BJ. Nearest station: Russell Square or Holborn. For more information, visit The Montague Hotel website.

  • 25 May – 9 September : Southbank Centre Beach

The popular mini beach returns to the South Bank opposite the skate park. The area is surrounded by food and drink vendors. Open 10am-10pm. Free entry. Southbank Centre Beach, South Bank, SE1. Nearest station: Waterloo. For more information, visit the Southbank Centre website.

© Memoirs Of A Metro Girl 2018

Grab a summer cocktail and hit the beach

  • 26 May – 2 September : The Beach Brent Cross 

Pop-up beach returns featuring a huge beach of imported sand, water to paddle in, rides, entertainment and food and drink vendors. Open Fri 4pm-9pm. Sat-Sun: 12pm-9pm. Entry: £3. Brent Cross Shopping Centre, Hendon, NW4 3FP. Nearest station: Hendon Central or Brent Cross. For more information, visit The Beach Brent Cross website.

  • 1 July – 2 September : Hampstead Beach

The Jewish Community Centre is hosting a two month-long pop-up beach, featuring lots of sand, cocktails, food and special events. Open Sun-Thu 9.30am-8pm, Fri 9am-3pm. Sat closed. Free entry. JW3, 341-351 Finchley Road, Hampstead, NW3 6ET. Nearest station: Finchley Road and Frognal or West Hampstead. To book, visit the JW3 website

  • 18 July – 2 September : Urban London Beach

Sandy beach by the River Thames underneath the Emirates Air Line cable car. Sit on a deckchair, watch your kids play in the sand or enjoy an ice cream. Open daily 10am-8pm. Free entry. Urban London Beach, 27 Western Gateway, Royal Victoria Docks, E16 1FA. Nearest station: Royal Victoria (DLR). For more information, visit the London’s Royal Docks website.


London’s lidos and swimming ponds

If you’re not a fan of sand, perhaps you’d like to cool down in one of the capital’s alfresco swimming spaces instead.

Brockwell Lido, Dulwich Road, Herne Hill, SE24 0PA. Nearest station: Herne Hill.

Tooting Bec Lido, Tooting Bec Road, Tooting Bec, SW16 1RU. Nearest station: Streatham.

Charlton Lido, Hornfair Park, Shooters Hill Road, SE18 4LX. Nearest station: Charlton.

Serpentine Lido, Hyde Park, South Carriage Drive, W2 2UH. Nearest stations: Hyde Park Corner, South Kensington, Marble Arch.

Parliament Hill Lido, Heath Lodge, Highgate, NW5 1NA. Nearest station: Gospel Oak.

Hampstead Mixed Bathing Pond, Hampstead Way, Hampstead Heath, NW5 1QN. Nearest station: Hampstead Heath.

Finchley Lido, Chaplin Square, Finchley, N12 0GL. Nearest station: West Finchley.

Park Road Pools & Fitness, Park Road, Crouch End, N8 8JN. Nearest stations: Hornsey or Highgate.

London Fields Lido, London Fields West Side, Hackney, E8 3EU. Nearest stations: London Fields or Hackney Central.

Hampton Pool, High Street, Hampton, TW12 2ST. Nearest station: Hampton.

For a guide to London’s pop-up and roaming cinemas this summer, click here.

For a guide to what’s on in London in August, click here.

Find out where London’s nearest lavender fields are.

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Photo Friday: Tracey Emin’s ‘I Want My Time With You’ at St Pancras

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Tracey Emin’s ‘I Want My Time With You’ at St Pancras International

It’s been a while since my last ‘Photo Friday’ post… admittedly the least time-consuming and the easier posts to write. This isn’t the first time St Pancras has been the focus of a such a post either. This week, I finally got to have a closer look at Tracey Emin’s new-ish art at St Pancras International station, which was unveiled in April 2018. Suspended from the famous Barlow trainshed roof, are the words ‘I Want My Time With You’ in pink lights (LED, not neon due to health and safety). Emin said the message is a love letter to Europe ahead of impending Brexit, which has divided the UK. While art critics have been non-plussed, I like the message and am a fan of neon-esque writing in general so it’s a hit with me. I also didn’t realise until I saw my photos on my laptop that you can see the iconic clocktower of St Pancras peeking through the glass roof.

  • ‘I Want My Time With You’ by Tracey Emin is on the upper concourse of St Pancras International, Euston Road, Kings Cross, N1C 4QP. Nearest station: Kings Cross St Pancras.

To find out about the nearby Sir John Betjeman sculpture, click here.

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Emery Walker House: A stunning time capsule of the arts and crafts movement

Step back in time at the unique Emery Walker House in Hammersmith.

Emery Walker house © Memoirs Of A Metro Girl 2018

The Emery Walker House stands on a Georgian terrace in Hammersmith

I must admit not knowing too much about the arts and crafts movement until recently. I had known of William Morris for some years, but had never heard the name Emery Walker until this year. Recently, I was invited along to the Emery Walker House with a group of fellow bloggers to join one of their guided tours.

The Arts and Crafts movement was a response to the Industrial Revolution, which saw objects being mass-produced in factories, losing their originality and connection with the natural world. Figures of the A&C movement wanted to make products with more integrity and higher quality, with the crafter actually enjoying the process of making it. Textile designer, novelist and poet William Morris (1834–1896) was one of the leaders of the movement and believed in creating beautiful objects and interiors, influenced by the past. Morris established his own company Morris & Co, and store on Oxford Street selling his furniture, wallpaper and other interiors.

The Emery Walker House stands on Hammersmith Terrace, a neat row of narrow Georgian terraces with gardens overlooking the Thames. In the late 1800s and early 1900s, this small neighbourhood in west London became the hub of the arts and crafts movement. Sir Emery Walker (1851-1933) was a London-born engraver, photographer and printer. He was a self-made man, having left school at 13 and establishing his own business by 30. In the late 1870s, he befriended Morris when he moved to Hammersmith Terrace as they bonded over socialism. The pair became firm friends and saw each other nearly every day. Walker initially lived at No.3 Hammersmith Terrace, before moving to No.7 – the house you can visit today – in 1903 and remained there for the rest of his life. Morris lived a short walk away at Kelmscott House and sowed the seed for the growing arts and crafts community of the area. Artist, bookbinder and sometime business partner of Walker (more on that later!), T.J. Cobden-Sanderson (1840-1922) lived at No.7 before Walker did, while Morris’ daughter May (1862-1938) ended up living next door at No.8 with her husband Henry Halliday Sparling. The playwright George Bernard Shaw lodged with the couple for a time and ended up having an affair with May, causing her divorce. Walker and Morris were firm friends with architect Philip Webb, who made Walker a beneficiary of his will, with some of his furniture now in No.7.

© Anna Kunst for The Emery Walker Trust

A Morris & Co Sussex chair
© Anna Kunst for The Emery Walker Trust

Emery Walker house © Memoirs Of A Metro Girl 2018

The view of the Thames from the Emery Walker House

One of the most interesting stories about Walker is his business partnership and eventual feud with Cobden-Sanderson. The latter established the Doves Bindery in 1893, eventually becoming the Doves Press in 1900 when he partnered with Walker following the closure of Kelmscott Press in 1898. Cobden-Sanderson’s wife Annie provided funding after Walker admitted he didn’t have enough money to contribute. Their publications, featuring the Doves typeface which was inspired by Italian Renaissance, were a huge success. However, by 1902, their working relationship began to sour with Cobden-Sanderson complaining Walker wasn’t devoting enough time to the business. In 1906, they agreed things weren’t working, but disagreed over the splitting of the assets. Walker was entitled to have the metal letters and castings, but Cobden-Sanderson didn’t want him to have them. Between 1913-1917, the elderly Cobden-Sanderson made around 170 trips from Hammersmith Terrace to Hammersmith Bridge in the middle of the night, lobbing the heavy type, punches and matrices and hurling them into the Thames. Following Cobden-Sanderson’s death in 1922, his widow Annie paid Walker a large sum towards compensating the loss of type. Nearly a century later, designer Robert Green and the Port Authority of London searched the Thames below Hammersmith Bridge and managed to recover 150 types of the Doves Press.  Read the rest of this entry

Turner’s House: Follow in artist JMW Turner’s footsteps at his Twickenham retreat

A look at the newly-restored, only piece of Turner architecture.

© Memoirs Of A Metro Girl 2018

Turner’s House, aka Sandycombe Lodge, was built to the artist’s designs in 1813

Twickenham is home to some famous former stately homes, such as Marble Hill House and Strawberry Hill. However, there’s a rather less grand, but equally important building that recently been restored to its original Georgian splendour – Turner’s House.

Otherwise known as Sandycombe Lodge, Turner’s House is the Grade II-listed former home of one of Britain’s greatest artists, J.M.W. Turner (1775-1851). In his teens/early adult life, he briefly considered becoming an architect with his Twickenham home the only one of his building designs realised in bricks and mortar. Having opened last year following an extensive renovation and restoration project, what’s left of Turner’s garden has now been completed for the spring, full of green grass and flowers to complement the stunning architecture. I went along last week with some fellow Londoner bloggers for a special tour of Turner’s country retreat.

© Memoirs Of A Metro Girl 2018

The stunning staircase is one of the house’s most striking features

In the early 19th century, Twickenham wasn’t a part of London but the open countryside. It had become a popular spot for the wealthy to build riverside abodes as a retreat from the bustling city. While born and bred Londoner Turner had a home and studio in the capital, he desperately sought an escape from the pressure of city life. In 1807, he purchased two plots of land in between Twickenham and Richmond and started designing his dream home in a cottage style. Finally, his plans were realised in 1813 and Turner moved in his beloved father, ‘Old William’ Turner (1745–1829), who had retired as a barber and wigmaker. Old William acted as housekeeper and tended what was then 3 acres of garden. The house was relatively modest, just two bedrooms upstairs – a large main overlooking the garden and the River Thames in the distance, and a smaller bedroom in the front. Downstairs, the ground floor featured a main living room, a dining room and small parlour, with a kitchen and further smaller rooms in the lower ground. Although Turner didn’t paint at the house, he did sketch and spent time fishing and strolling along the Thames and occasionally entertaining friends. One famous pal to visit was the Regency architect Sir John Soane (1753-1837), with his influence in the design of Sandycombe Lodge clearly visible in the hallway and staircase.

Turner sold the house in 1826 to a neighbour Joseph Todd, who extended it and rented it out. Turner’s garden was dramatically shrunk in the 1880s after the nearby opening of St Margaret’s railway station saw the area transforming into a more built-up commuter suburb of London. The house remained a residential home until World War II, when it was converted into a ‘shadow factory’ to make goggles. It was during this period, the house really began to deteriorate. However, a saviour came in Professor Harold Livermore (1914-2010), who bought the house in 1947. He was particularly proud of its history and campaigned for its Grade II listed status in the 1950s. Following Prof Livermore’s death in 2010, he gifted the house to the Turner’s House Trust with the provision it should be enjoyed by the nation.  Read the rest of this entry

‘The Invisible Enemy Should Not Exist’ comes to the Fourth Plinth

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The latest commission for the Fourth Plinth is The Invisible Enemy Should Not Exist

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This is the 12th work to appear on the Fourth Plinth since 1998

Trafalgar Square has been given a new piece of art amongst its fountains, lions and statues following the unveiling of the latest Fourth Plinth commission. Succeeding David Shrigley’s divisive Really Good, the latest piece is a recreation of a lost ancient artefact.

Michael Rakowitz’s artwork The Invisible Enemy Should Not Exist is a piece from his long-term project to recreate 7,000 objects that have been lost forever. This particular sculpture is a recreation of the Lamassu, which had guarded the Nergal Gate of Nineveh (near Mosul, Iraq). Created around 700BC, it was destroyed by ISIS in 2015, along with many other ancient artefacts and historical sites. The Lamassu is a deity featuring a human head with the body of a winged bull. Rakowitz has chosen to make his sculpture from 10,500 empty Iraqi date syrup cans, a once thriving industry which was ravaged by the conflicts of the region. On the fountain facing side of the piece, an inscription in Cuneiform reads: ‘Sennacherib, king of the world, king of Assyria, had the inner and outer wall of Ninevah built anew and raised as high as mountains.’

© Memoirs Of A Metro Girl 2018

The piece is made from 10,500 empty Iraqi date syrup cans

This is the 12th work to appear on the Fourth Plinth since the programme started in 1998. The plinth was designed as one of four by architect Sir Charles Barry when he laid out Trafalgar Square in the 1840s. It was originally scheduled to showcase an equestrian statue of King William IV, but the plan was never realised due to austerity cuts. After 150 years of remaining empty, the Fourth Plinth programme was finally conceived in the 1990s as a platform for temporary artworks.

  • The Invisible Enemy Should Not Exist will remain in situ until March 2020. At the Fourth Plinth, Trafalgar Square, Westminster, WC2. Nearest stations: Charing Cross, Piccadilly Circus, Embankment or Leicester Square.
© Memoirs Of A Metro Girl 2018

One side of the sculpture features an inscription in Cuneiform

For the latest guide to what’s on in London, click here.

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Harmonics in Space by Fred Butler: Lift your spirits at this multi-layered, sensory experience

Review: Ocean Liners – Speed and Style at Victoria and Albert Museum

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Bed and sink unit from the first-class cabin of the Mauretania, made in 1906-1907

Long before planes dominated international travel, cruise liners were the way to go abroad. Throughout the 19th century and early 20th century, huge swathes of Europeans crossed the Atlantic to start a new life or explore the Americas. Today, the cruise liner is stereotypically associated with pensioners on holiday and has been getting a bad rap in recent years for the ‘negative’ tourism it brings to port cities such as Venice, Barcelona or Dubrovnik. While current cruise liners are apparently very comfortable and have all the mod cons, we don’t quite associate them with the glamour they had in yesteryear. A current exhibition at the Victoria and Albert Museum delves into their history, starting as far back as Isambard Kingdom Brunel’s SS Great Eastern in 1857, which revolutionised boat transport.

Honour and Glory crowning Time, from the Olympic (1910), the Titanic’s sister ship

The exhibition kicks off with the advertising – with posters, brochures and flyers showcasing famous liners such as the Normandie, Olympic, Titanic and Mauretania. Like a would-be passenger of the time, this is usually the first impression you would have of a liner before seeing it in the flesh. The dozens of shipping companies in the 19th and early 20th century were incredibly competitive. New liners always tried to boast some new feature the others didn’t have, with the Titanic’s claim to being unsinkable proving horrifically untrue.

However, as in real-life for travellers, the advertising is simply a warm-up. We are then introduced to the first of 200 pieces of artefacts from cruise liners gone by, including furniture, uniforms, art work, film footage, panelling and more. As someone who has long been interested in the Titanic’s history beyond the film, it was amazing to see the ‘Honour and Glory crowning Time’ clock panel from the RMS Olympic – Titanic’s sister ship. Fans of the 1998 film will remember this was faithfully recreated as the meeting place for Jack and Rose on the grand staircase. The exhibition also features two artefacts from the Titanic – a deckchair and a panel from the first class lounge rescued from the north Atlantic after the ship went down in April 1912. The wooden panel is displayed at the end of the exhibition appearing to float at sea, just how it was found over 100 years ago. From around the same time period is furniture from the RMS Mauretania (1906). Run by Cunard, it was the world’s largest ship until it was overcome by the Olympic in 1911. On show is a bed from first-class cabin C23, designed by workers at the Swan Hunter & Wigham Richardson shipyard at Wallsend Tyne and Wear.

© Memoirs Of A Metro Girl 2018

Mannequins in swimsuits from the mid 20th century

One liner that often appears throughout the exhibition is the Normandie, launched in 1935 by the Compagnie Générale Transatlantique. Although not a huge commercial success, she is widely labelled as one of the greatest liners ever due to her stunning design and interiors and was the largest and fastest when she entered service. An Art Deco lacquer panel, designed by Jean Dunand for the first-class smoking room, is stunning and huge. Going back two decades is another example of a striking Gallic liner by the same company, the SS France (1910). The doors and panelling from the embarkation hall and communication gallery from around 1912 are joined by two armchairs from the first class dining room and they give you a good understanding of why the ship was nicknamed ‘the Versailles of the Atlantic’. However, as the exhibition progresses through the decades, the furniture and decoration rather deteriorates into more simple and bland designs by the 1950s and the 1960s. Looking back over 150 years of mass transit, it’s clear the Victorians and inter-war period were clearly leading the way in terms of style. Read the rest of this entry

Guide to what’s on in London in April 2018

© Memoirs Of A Metro Girl 2018

Spring is here

Easter kicks off April with a long weekend and school holidays, meaning the capital’s attractions are pretty busy. As in recent years, the weather can still be unpredictable, so plenty of events are taking place indoors. Across the capital, there’s a host of foodie and booze festivals so there’s plenty of options besides chocolate. There’s also several cultural celebrations taking place, including St George’s Day and the Sikh New Year. Here’s Metro Girl’s round-up of the best events in London in April.

For a guide to what’s on over Easter holidays, click here.

  • Now until 1 April : London International Ska Festival

Four day festival of ska music at venues across the capital, including the O2 Academy Islington and The Garage. Acts include The Clarendonians, Doreen Shaffer, Otis Gayle, Alpheus, The Spitfires, DJ Little Diane, Ranking Joe, Clive Chin, Oxman & Gladdy Wax Sound System and many more. Wristbands for the whole festival £140, individual gigs range in price. For more information and tickets, visit the London International Ska Festival website.

  • Now until 1 April : BFI Flare

The British Film Institute hosts the 11 day festival of LGBT film featuring Tali Shalom-Ezer’s My Days Of Mercy and Steve McLean’s European premiere of Postcards From London. Ticket prices vary. BFI Southbank, Belvedere Road, South Bank, SE1 8XT. Nearest station: Waterloo. For more information and booking, visit the BFI website

  • Now until 1 April : Le Beat Bespoke

Indoor music festival returns celebrating 21st Century Modernist and Sixties inspired underground music culture. Featuring live bands, DJs, record fair, market, guest clubs, all-nighters and Go Go dancers. Tickets: Individual gig tickets vary from £7-£25, or three-day pass £59. 229 The Venue, 229 Great Portland Street, W1W 5PN. Nearest station: Great Portland Street or Oxford Circus. For more information and tickets, visit Le Beat Bespoke website.

  • Now until 2 April : Ideal Home Show

A place of inspiration for homeowners including interiors, fittings and gardens. Includes plenty of opportunities to buy things both big and small for the house and food. Celebrity guests include Rosemary Shrager, Phil Spencer, Martin Lewis, Martin Roberts, Craig Phillips, David Domoney, Ryan Simpson and Liam Trottman and many more. Open daily 10am-6pm (Thurs lates until 9pm). Tickets: Weekday £14 or Weekend £16 (also includes free access to Eat & Drink Festival). Olympia, Hammersmith Road, Kensington, W14 8UX. Nearest station: Kensington Olympia. For more tickets, visit the Ideal Home Show website.

  • Now until 2 April : Eat & Drink Festival

Next door to the Ideal Home Show is a new live experience, featuring modern cuisine, mixology and street food. Learn from the best at the Foodie Lab, Chef’s Table and Cook’s Academy. Tickets: Weekday £14, Weekend £16 (also includes free access to Ideal Home Show). Olympia, Hammersmith Road, Kensington, W14 8UX. Nearest station: Kensington Olympia. For more information, visit the Eat & Drink Festival website.

  • 5 – 7 April : Cocktails In The City

Three-day extravaganza featuring some of London’s and Europe’s best cocktails bars coming together under one roof. A host of pop-up bars and food venues will be spread across four levels. Open 6pm-11pm. Ticket: £20 includes 1 cocktail. One Marylebone, 1 Marylebone Road, Marylebone, NW1 4AQ. Nearest stations: Great Portland Street or Regents Park. For booking, visit the Cocktails In The City website.

© Memoirs Of A Metro Girl 2018

Cocktails In The City returns to One Marylebone

  • 5 – 15 April : London Games Festival

An event to promote gaming and interactive entertainment, including the Trafalgar Square Game Festival (7 April) EGX Rezzed at Tobacco Dock, the British Academy Games Awards, Now Play This at Somerset House, Games Finance Market and the Games Character Parade (14 April). For more information, visit the Games London website.

  • 5 April – 18 May : Sense Of Space

Multi-sensory art pop-up installation featuring four different rooms and a bar to help you switch off from busy London life. Rooms include The Doodle Room, The Motion Box, The Infinity Garden and The Zen Studio. Events include live doodle art, silent cinema, yoga, art talks and more. Free entry. Exchange Square, Broadgate, EC2M 3WA. Nearest station: Liverpool Street. For more information, visit the Broadgate website.

  • 6 April – 30 September : Underbelly Festival

Summer-long arts festival on the South Bank, featuring comedy, circus, cabaret and family shows at affordable prices in the inflatable upside down cow venue, international street food, open-air bar. Festival grounds open daily until 11pm. Ticket prices for show vary, but a majority are under £20, free entry to festival grounds. Jubilee Gardens (off Belvedere Road), South Bank, SE1 8XX. Nearest station: Waterloo. For more information and tickets, visit the Underbelly Festival website.

  • 7 – 8 April : Cask Beer 2018

Cask beer festival featuring some of the country’s top breweries. Featuring 60 casks from 30 breweries with all beer at £5 a pint. Tickets: £5 (include branded festival glass, welcome half pint and a souvenir brochure). Affinity Brewing Company, Railway Arch 7, Bermondsey, SE16 3LR. Nearest stations: Bermondsey or South Bermondsey. For tickets, visit BillettoRead the rest of this entry