Unique: 19 Princelet Street is only open to the public on selected days a year
I have seen or visited museums of immigration in various cities abroad and found them fascinating places. However, it’s astonishing that we don’t have a permanent museum dedicated to it in London, one of the most cosmopolitan cities in the world. The word ‘immigrant’ can conjure up negativity in the media and I have been astounded to hear people I know – who are first generation British born to immigrant parents – talking about immigrants in a bad way, despite their family history. London itself was built by immigrants after all – the Romans! I myself am a daughter of immigrant parents, who came from Ireland in the 1970s. While the Irish are greeted with open arms nowadays, 40 years ago they were often unwelcome in Britain, with signs being placed in pubs and shops reading ‘no dogs, no blacks, no Irish’. My parents faced racism from some areas of society when they first arrived, but fortunately they stayed and I am proud to be a Londoner and of my Irish roots.
Princelet Street is located just off the bustle of Brick Lane
While London is noticeably lacking a permanent museum of immigration, this is where, hopefully one day, 19 Princelet Street comes in. This unique building in Spitalfields is a window on the past and an insight to different waves of immigration which shaped our city. Princelet Street is a lovely road off Brick Lane full of 18th century terraced houses which have been mostly restored. At No.19 is the unrestored, Grade II-listed Museum of Immigration and Diversity, which is open only a few days a year.
Two weeks ago, a team of volunteers opened the doors of No.19 to the public for a few hours on three separate days. Despite the biting freezing temperatures, I ventured out on a Sunday afternoon, joining a growing queue along Princelet Street. Although I anticipated waiting for over an hour, it was actually only about 30 minutes (although, I did arrive 15 minutes before opening). No.19 is a three storey (not including the basement) Georgian house which started life as home to French Huguenots, who were fleeing persecution in France. Over the years, the building was divided into separate lodgings and workshops for weavers. As the years went by, No. 19 housed other trades. After the Huguenots moved on, the Irish came to Spitalfields, fleeing the potato famine, then the Jewish in the late 19th century. Over their decades at No.19, the Jewish residents built a hidden synagogue in the garden in 1869, which is the main draw of the museum today. The light streams into the synagogue through the coloured glass roof, lighting up the names of those who donated to the synagogue inscribed on the wood panels of the ladies’ balcony.
Within the building are exhibitions prompting the visitors to think about their ancestry and what they think about culture and diversity today. ‘Leave to remain’ by three contemporary artists looks at asylum in Britain, while ‘suitcases and sanctuary’ is a look at immigration through the eyes of local schoolchildren. For me, my visit was a mix of indulging my love of history by seeing an old house in its ‘natural’ state and also giving me food for thought. No.19 is slowly crumbling, hence why it isn’t open all year round. While the faded wallpaper and creaky floorboards are undeniably charming, the building is in need of restoration, with a team trying to raise money to save it and develop it as a museum. I hope they reach their aim, it really is a special place which should be preserved for future generations.
- 19 Princelet Street, Spitalfields, E1 6BH. Nearest stations: Liverpool Street, Aldgate East or Shoreditch High Street (overland). Check out their website or follow them on Twitter to find out about the next open days or how to donate.
Popular: Be prepared to queue on the rare open days
Learn about the history of Princelet Street and the museum’s neighbour No.4.
Find out about another unique Georgian building in the area, the Dennis Severs’ House.
For more of Metro Girl’s blog posts on London history, click here.
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