Originally built as a Tudor palace, the name ‘Bridewell’ has now become synonymous with prisons around the world.
Today, the City of Westminster is associated with royal residences, with Buckingham and St James’s Palaces and Clarence House located in the borough. Although it’s been some time since British monarchs resided in the City of London, there are still reminders of former royal abodes to be found within the Square Mile. While the Tower of London is an obvious historic relic of the royal City, there is also another less noticeable remainder just over a mile away.
Situated on the busy A201 road, leading north from Blackfriars Bridge, is Bridewell Court. It consists of a 19th century gatehouse, which forms an entrance to an office building, currently home to a law firm. If you look above the archway, you’ll spot a clue to the site’s fascinating history: a relief portrait of King Edward VI (1537-1553).
Bridewell Palace was built in the 16th century on the site of St Bride’s Inn, on the banks of the River Fleet. It was a huge site, spanning south from the existing gatehouse towards where the Unilever building on the Embankment stands today. The structure was the main London residence for King Henry VIII (1491-1547) during the early part of his reign in 1515-1523 after acquiring the site from Cardinal Wolsey (1473-1530). The palace complex comprised of three-storey royal lodgings surrounding two courtyards. A bridge led from the palace over the Fleet to the Dominican priory of Blackfriars. Henry and his first wife Catherine of Aragon (1485-1536) lodged at Bridewell while the validity of their marriage was being debated at Blackfriars when the King was hoping to re-marry Anne Boleyn. By the 1530s, it was leased to the French Ambassador. Following Henry VIII’s death, the property passed onto the ownership of his son, Edward VI.
During his short reign, Edward VI gave Bridewell to the City authorities in 1553 to be used as a women’s prison, workhouse and orphanage for homeless children. Many of the female prisoners sent to Bridewell were prostitutes. By 1556, the complex also included a hospital. In 1557, Bridewell was paired with Bethlehem Hospital (aka ‘Bedlam’) in Bishopsgate for administrative purposes. However, as with most buildings in the area, the Bridewell complex was destroyed during the Great Fire of London in 1666, but was rebuilt soon after. Read the rest of this entry
Just a few feet from an entrance to St Paul’s tube station stands an old relic of London.
Aside from St Paul’s Cathedral, there isn’t much left in the City of London from the 16th and 17th century. Wars, fires and redevelopment have dramatically changed the architecture and even road layouts of the original Square Mile. With large-scale buildings being completely wiped from existence over the years, it’s impressive when a small piece of London’s heritage manages to survive.
The Panyer Boy is an ancient plaque in Panyer Alley, near the entrance to St Paul’s tube station. It depicts a naked child – likely a baker boy – sitting on a bread basket. Underneath the cherubic boy, are the words: “When ye have sought the City Round. Yet still this is the highest ground. August 27th 1688.” The quote is by English historian John Stow (1524/5-1605) and dates from 1598 – nearly a century earlier than the date below on the plaque. “This is the higher ground” refers to the long-held belief that Ludgate Hill was the highest hill in the City of London, however it’s actually Cornhill, which currently stands at 58ft (17.7metres) above sea level.
Despite the date stamp of the late 17th century, the mystery of the origins and original location of the Panyer Boy still continues. This stone effigy has been remounted from building to building as the surrounding environment has changed around him. Panyer Alley has existed for centuries and takes its name from ‘pannier’ – the basket or box from which the young baker boys would sell bread. Pannier is an Old English term deriving from the old French word ‘panier’. Some historians have speculated Panyer Alley was named after The Panyer inn, which stood nearby on Paternoster Row until it was destroyed in the Great Fire of London in 1666.
The carving of the child has somewhat eroded over time, making it even harder to work out what’s actually going on in the carving. Is the child holding a bunch of grapes or a loaf of bread? Stow certainly believed he was holding the fruit as he wrote in his Survey of London: “…a boy fitting upon it, with a bunch of grapes as it seems to be, held between his naked foot and hand, perhaps of Plenty…” This part of the City of London was known for its bakers, with nearby Bread Street the location of the capital’s bread market from Medieval times. Read the rest of this entry
The free contemporary art exhibition has returned to the City of London for its 10th edition, running until spring 2022.
The annual, outdoor exhibition of contemporary art is back in the City of London. Launched in June 2021, the 10th edition of Sculpture in the City runs until spring 2022. The exhibition sees the streets of the Square Mile turned into an alfresco gallery space for a variety of different sculptures.
Among the artists taking part in the 2021/2022 display include Alice Channer, Ruth Ewan, Isabella Martin, Mike Ballard, Oliver Bragg, Mark Handforth, Eva Rothschild, Laura Arminda Kingsley, Tatiana Wolska, Guillaume Vandame, Bram Ellens, Jake Elwes, Jun T Lai, Regitze Engelsborg Karlsen, Almuth Tebbenhoff, Rosanne Robertson, Laure Prouvost and Elisa Artesero. The sculptures and installations have been erected at various points around the City, such as Leadenhall Market and the ‘Cheesegrater’.
- The 10th edition of Sculpture In The City is on from now until Spring 2022. At various sites around the Square Mile. Nearest stations: Fenchurch Street, Monument or Liverpool Street. For more information and a map of the artworks, visit the Sculpture In The City website.
Read more on London’s art exhibitions and installations here.
Read more on London’s current artworks
Enjoy live music, art exhibitions and guided history tours at the City of London’s iconic market hall.
With so many of London’s original market halls no longer serving their original purpose, it’s a notable feat to still be trading centuries later. This summer, Leadenhall Market will market 700 years of selling with a series of events.
The City of London market was established in 1321 on the heart of what was Roman London, meaning people have been trading on the spot for nearly two millennia. The site is still owned by the City of London Corporation, who were gifted it by former Lord Mayor Richard ‘Dick’ Whittington back in 1411. When the current Sir Horace Jones-designed building was erected in the Victorian era, Leadenhall was known for being a meat, poultry and game market. Today, it is now a destination for diners and drinkers, as well as boutique shopping.
This July and August, there will be a series of free events exploring the market’s vast history. From live music to exhibitions, to organised tours and self-guided walks, there will be plenty of activities on offer.
- Leadenhall Market guided tour (Wednesdays 6.30pm-7.45pm, 7 July – 4 August)
Discover the secrets of the Victorian arcades of Leadenhall Market on a guided walking tour. They are free to join, but limited spaces require booking.
- Lunchtime Lives (Thursday and Friday lunchtimes, 15 July – 6 August)
Enjoy live music from across the decades, from Victorian music hall to ’50s jazz and street bands.
- Legends of Leadenhall self-guided tour
Discover the characters of Leadenhall’s past and its fascinating tales with an interactive audio guided tour. Find the QR code on posters within the market to download the app and play at your leisure.
- Electric City exhibition (open daily until midnight, now until 31 July)
The team behind God’s Own Junkyard in Walthamstow have curated an exhibition of stunning neon art, from film sets of the past 40 years. Free to visit. An information hub is open 11.30am-7pm Wed-Sat.
- UAL Graduate Showcase (Open daily until late August)
Check out the designs of final year students from the University of the Arts London. One of the market’s shop windows will be displaying costumes for theatre productions, animal models, set design maquettes and creative boards.
- Leadenhall Market are celebrating 700 years during July and August 2021. At Leadenhall Market (access from Gracechurch Street, Lime Street and Whittington Avenue), City of London, EC3V 1LT. Nearest stations: Monument or Fenchurch Street. For more information, visit the Leadenhall Market website.
Find out what else is on in London this August.
Read more on the history of Leadenhall Market.
The story of a former Fleet Street printing house.
Many of the surrounding streets of Fleet Street have the industries of law and the press to thank for their many architectural designs. Although the newspapers and publishing houses have moved on, their legacy in the area lives on through their former offices. One of these buildings, the former Argus Printing Company, now survives as a great example of Victorian commercial architecture and is now luxury apartments. Located on the corner of Temple Avenue and Tudor Street in the district of Whitefriars, is a building now known as Victoria House.
The name Whitefriars comes from the former friary, which stood in the area from the 13th to 16th century. Following the dissolution of the friary, the area swiftly went from religious to run-down. At the time, it was located outside the jurisdiction of the City of London so became a magnet for the badly-behaved. The area was known as ‘Alsatia’ and was renowned for its criminal population. However, the Great Fire of London of 1666 provided an opportunity for officials to clean up the area as it was rebuilt.
By the 17th century, Whitefriars became a hub for trade with its many warehouses and wharves. Horwood’s Map of 1799 shows Grand Junction Wharf, Weft & Coves Wharf and White Friars Dock around the site of current Victoria House. Although today, Tudor Street is just over 300 metres long, on Horwood’s Map the name only leant itself to a short stretch of the eastern end. Meanwhile, the western end leading into Inner Temple was called Temple Street until it was renamed as an extension of Tudor Street in the 19th century when the area was altered by construction of the nearby Victoria Embankment in the 1860s. It was during the 19th century that the area of Fleet Street and the surrounding streets – including those in Whitefriars – became a hub for London’s booming newspaper industry. The Victorian era saw the establishment of buildings for both the editorial and production of newspapers and magazines.
One of the Victorian buildings established for this burgeoning industry was Victoria House, home to the Argus Printing Company. Journalist and politician Harry Marks (1855-1916) established the Argus Printing Company (APC) in 1887 to print his Financial News daily newspaper, which had been founded three years earlier. At its launch, the original Argus printing plant on Bouverie Street wasn’t very large, featuring one machine and rotary press which could produce 12,000 eight-page papers hourly. By 1887, the success of the Financial News meant the APC could buy a larger machine by Hippolyte Auguste Marinoni (1823-1904), which doubled the hourly output. Within a few years, the Bouverie premises were too cramped for the volume of production required so a new site closer to the Thames was acquired in 1891. Read the rest of this entry
The current Royal Exchange is the third iteration to stand on the site at Bank.
Today, an exchange building is generally utilised for telecommunications or foreign currency. However, as a commercial building, exchanges date back to at least the 13th century. In London, many of the capital’s former exchanges are long gone, and if they do still exist, conduct business using different methods. However, one of the London’s oldest exchanges still exists, albeit not the original building.
Standing at the Bank junction of Cornhill and Threadneedle Street is The Royal Exchange, which dates back to the 16th century. It was founded by Tudor merchant Sir Thomas Gresham (1519-1579), who had been trading in Bourse of Antwerp, the world’s first commodities exchange. He obtained land and permission from the City of London’s Court of Alderman to establish a centre of commerce. Queen Elizabeth I (1533-1603) opened the first exchange in January 1571 and gave the building a royal title, along with a license to sell alcohol and valuable goods. Gresham later added two additional floors above the trading floor, with units leased out for retail. This savvy move essentially created Britain’s first shopping mall. Originally, stockbrokers weren’t allowed into the Royal Exchange because of their reputation for being rude, so conducted their trading in the nearby coffee shops.
Gresham’s original Royal Exchange was destroyed in the Great Fire of London in September 1666. Its replacement was designed by architect Edward Jarman (1605-1668) and opened in 1669. It was a stone, Baroque building with piazzas, arched entrances to the inner court and a 178ft high tower with clock and bells. The second Royal Exchange was full of merchants and brokers. In 1713, Lloyd’s of London acquired two rooms in the building. However, the building followed the fate of its predecessor and burned down in January 1838. It is believed the blaze may have been caused by an overheated stove in Lloyd’s Coffee House in nearby Lombard Street. Read the rest of this entry
The history of the City’s pioneering, art deco office block and the hotel which came before it.
Standing on the north side of London Bridge, two impressive buildings form the unofficial gateways to the City – Fishmongers Hall on the western side and Adelaide House opposite. While the Hall dates back to 1830s, Adelaide House is a 20th century, Modernist construction. Although Adelaide House has only been standing a little shy of a century, its name has origins dating back to the same period as the current Fishmongers’ Hall.
In 1831, the New London Bridge opened slightly west of the original location of the Old London Bridge. Opening the capital’s iconic crossing were King William IV (1765-1837) and Queen Adelaide (1792-1849), with the monarch honoured with the road approaching the bridge being named King William Street. The old London Bridge Waterworks had been demolished to make way for Adelaide Place and a neo-classical block, the Adelaide Hotel. With four storeys visible on the London Bridge side, the building featured Corinthian pilasters and a ornamental balustrade on the roof level. Looming over the London Bridge Wharf, it was a perfect location for a hotel. The wharf guaranteed a regular hotel clientele as it was busy with cargo and passenger steamships. One company operating out of the Wharf was the New Medway Steam Packet Company, which offered cruises down the Thames to the Essex and Kent coastline. The Adelaide Hotel was open by 1835 and had expansive views over the river, as well as typical amenities such as a restaurant and ladies’ coffee room. The Handbook of London, published in 1849, describes the Adelaide as a “third-class hotel”, although Adams’s Pocket London guide two years later is more complementary: “A spacious establishment in high repute”. Despite the handy location, the Adelaide Hotel wasn’t a huge success and was converted into offices in the 1850s and renamed the Adelaide Buildings.
The Adelaide Buildings were home to various companies over the decades, but one dominant tenant was the Pearl Insurance company. Originally started in the East End in 1857, the company expanded and moved to the Adelaide Buildings in 1878, where it remained until 1914 when it headed west to High Holborn. (See a London Metropolitan Archives photo of the building in 1913). Read the rest of this entry
This City of London road was named after a 13th century religious order.
Prior to the Dissolution of the Monasteries in the 1530s, the City of London was home to several monastic orders. Although a few buildings were preserved in existing churches, others were demolished and their legacy today is often only a street name. After King Henry VIII established the dramatic religious change so he could marry Anne Boleyn, he swiftly closed a succession of London monasteries. Those shuttered include the Bermondsey Abbey, Blackfriars, Charterhouse Priory (Smithfield), Crutched Friars, Grey Friars, Holywell Priory (Shoreditch), St Bartholomew’s Priory, St. Helen’s priory (Bishopsgate), St Martin’s le Grand, Whitefriars (Fleet Street), among others.
One order within the City of London boundaries was Austin Friars – located in between the present stations of Bank and Liverpool Street. The Austin Friars was an Augustinian order, believed to have arrived in England in the 1260s. They acquired land from two older churches, with St Olave Broad Street apparently being demolished to make way for the friary. Over the years, the friary’s wealth grew, allowing them to gain more land, eventually covering 5.5 acres. The complex was surrounded by a high wall, bordering London Wall, Throgmorton Street and Broad Street. Within their boundaries were a church, accommodation, garden and other buildings for dining and studying. The complex was entered by at least three gates, the main entrance being on Throgmorton Street. The friary was home to about 60 friars by the 13th century and was popular with London’s elite.
On the western edge of the friary, courtier Thomas Cromwell, Earl Of Essex (1485-1540) began leasing a home from the friary in the 1520s. It was a three-storey building with 14 rooms and a garden. By 1532, Cromwell’s power and influence at Henry VIII‘s court had grown so he expanded his Austin Friars home to reflect his rising status. He ended up with a huge property covering 2 acres with another 1.5 acres of garden. A few years later, Austin Friars came to an end in November 1538 during the dissolution of the monasteries. Sir William Paulet, 1st Marquess of Winchester (1483/5-1572), took over the Friars’ house and cloisters and erected a townhouse on the site, which was later demolished in 1844. Two years later, Cromwell’s days at Austin Friars were also over after he was imprisoned and executed for treason and heresy. His house was acquired by the Crown and sold three years later to the Drapers’ Company for their hall, but was burned down in the Great Fire of London of 1666 and rebuilt. Read the rest of this entry
The history of 17 Fleet Street, a 17th century building that survived the Great Fire of London.
Standing on a Fleet Street is a rare piece of Jacobean London. Thanks to the Great Fire of London of 1666, hardly any buildings originating prior to the mid-17th century exist within the confines of the Square Mile. Among the few exceptions are 41 – 42 Cloth Fair in Smithfield, a handful of City churches, the Tower of London and St Bartholomew’s Gatehouse. Another one of these survivors is a Jacobean townhouse at 17 Fleet Street.
The site was originally part of an estate owned by the Knights Templar, an order of Catholic soldiers. Following their dissolution in 1312, the land passed to their rivals, the Knights Hospitallers of the Order of St John of Jerusalem. Among their tenants were lawyers, who established the legal district of Temple which still exists today. With its origins as a Roman route, Fleet Street was named and established as a residential road in the Middle Ages. By the early 16th century, one of the Hospitallers’ tenants was the landlord of an inn called The Hand at 17 Fleet Street. After the Hospitallers was dissolved by King Henry VIII in 1540, a lot of the Temple district passed into the hands of the Crown and other landowners.
In 1610, the owner of 17 Fleet Street rebuilt the tavern, by then named the Prince’s Arms. Some have claimed the tavern was named in honour of the investiture of Henry Frederick Prince of Wales (1594-1612) – son of King James I of England – while others claim the tavern’s name dates back to before his birth. Another theory suggests No.17 was built for the Council of the Duchy of Cornwall and that first floor had been reserved for Prince Henry’s use. The building features a three feathers motif on the façade – the symbol for the Prince of Wales. This symbolism appears again in the large room on the first floor, which boasts one of London’s best examples of Jacobean ceiling plaster. It contains the three feather motif, along with the initials P.H. Read the rest of this entry
The story behind a Neo-Gothic office building-turned-holiday let on Fleet Street
Fleet Street has its fair share of striking architecture – from the bold Art Deco design of the Express Building to the old Tudor frontage of Prince Henry’s Room. However, one particular building’s design suggests it’s from an earlier age that it actually is – the Mary Queen of Scots House at 143-4 Fleet Street. The building is situated just two doors down from the temple-like Peterborough House and next door to Ye Olde Cheshire Cheese pub. The Mary Queen of Scots House has two entrances – the eastern one accessing the upper storeys, while the west is the shop door (currently a Pret a Manger). Just to the left of the shop entrance is Cheshire Court, a small alley previously known as Three Falcon Court.
Long before Pret A Manger arrived, and indeed, even the current building was erected, the site had a varied history. In the 1770s, a publisher named Joseph Wenman was operating out of his premises at 144 Fleet Street, producing mostly theatrical reprints. By 1833, No.143-144 was owned by a Sir John Marshall, with one of his tenants being a baker, according to an insurance policy taken out at the time. In the 1840s, wood engraver Edwin Morrett Williams and cutler/hardwareman William Sutton worked on-site. By 1882, 143 had become a restaurant. Nine years later, optician Samuel Poole was operating out of 144.
In the early 20th century, Scottish landowner and liberal politician Sir John Tollemache Sinclair (1825-1912) acquired the land of 143-144 Fleet Street. He commissioned architect Richard Mauleverer Roe (1854-1922) to design an ornate, Neo-Gothic office building in 1905. At the time, Gothic revival was steadily falling out of fashion in architecture, although the new dawn of Modernist design was still a way off. The building has five storeys, one of which being a roof storey. The ground floor is surrounded by a stone arch with zigzag mouldings.