The former offices of Royal Doulton still stand in Lambeth, although the factory is long gone.
From the 16th century to the mid 20th century, the riverside district of Lambeth was a hub of industry. The old village of Lambeth has existed since at least the 11th century and during the Medieval period was on the outskirts of London. In 1570, two Antwerp potters, Jasper Andries and Jacob Janson settled in Lambeth and started trading. Janson later anglicised his name to Johnson and is believed to be the first maker of what became known as Lambeth Delftware. Many Delft potters followed and settled in Lambeth, as well as Southwark and Vauxhall during the 17th centuries. These small potteries soon helped Lambeth establish its reputation as the centre of the industry, with many springing up on Lambeth High Street – previously known as Back Lane until the late 18th century. The potteries made various designs of earthenware, although pharmaceutical containers and accessories were prevalent. One prominent business was James Stiff & Son’s Pottery, which was established in 1751 and acquired by James in 1840. Located on a two acre site on the High Street, it was one of the largest potteries in London and employed 200 people, had 14 kilns and had its own dock on the River Thames until 1913. Other industries in the area included glassmaking, candlemakers and soap manufacturers.
Turning to the early 19th century, we meet the father of the famous Royal Doulton company, still trading today. Founder John Doulton (1793-1873) started his career as an apprentice to John Dwight’s Fulham Manufacturing Company from 1805-1812. After completing his apprenticeship, he joined widow Martha Jones at her small pottery in Vauxhall Walk. He soon invested his life savings of £100 in the pottery, which traded as Jones, Watts & Doulton from 1815, along with foreman John Watts. After Jones retired in 1820, the pottery continued as Doulton & Watts. The company specialised in salt glaze stoneware, making bottles, jugs and jars. They acquired a large pottery on the High Street in 1826, expanding their business to making glazed sewer pipes. By 1834, they were employing 12 men working across two kilns at 28 Lambeth High Street (see a Lambeth archive sketch of the factory in 1840). Fortunately for Doulton & Watts, demands for glazed pipes rose dramatically in the 1830s-1840s as they were hailed for their safety at the time.
In 1835, Doulton took on his son, the future Sir Henry Doulton (1820-1897) as a teenage apprentice. Within 11 years, his son had set up his own independent Lambeth pottery, Henry Doulton & Co, next door at 63 Lambeth High Street. HD & Co established the world’s first stoneware pipe factory. The Victorians were swiftly embracing better sanitary habits and soon the company had become renowned for its sanitation products. In addition to running his own company, Henry continued to assist his father’s business. Both company’s wares were exhibited at the Great Exhibition in the Crystal Palace in Hyde Park in 1851, with both winning prizes. Read the rest of this entry
The history of the colourful pillbox memorial on a Stockwell traffic island.
Around the country, many a traffic island is home to a war memorial. However, one particular south London island has a rather more colourful tribute to the war dead in an unusual format. In fact, this memorial started life as an important space to shelter Londoners from the Nazi bombs during World War II.
At the junction of Clapham Road and South Lambeth Road, just moments from Stockwell tube station, is the Stockwell War Memorial. The memorial is in two parts – the oldest of the two is dedicated to the fallen of World War I, while the more recent one was built during the World War II.
In the early part of the Second World War, some civilians and government officials were concerned the available shelters weren’t quite robust enough to withstand the bombing. Time was of the essence so a plan to build deep-level shelters underneath existing tube stations was deemed the speediest and most cost-effective option. Originally 10 shelters were planned, but in the end only eight were constructed. Building began in 1941, and by 1942 they were complete. The shelters were mostly located by Northern line stations, including Stockwell, Clapham North, Clapham Common, Camden Town, Belsize Park, Goodge Street and Clapham South, with another near the Central line station Chancery Lane.
The Stockwell deep-level shelter is located below Stockwell station and features two parallel tunnels, measuring 16ft in diameter and split horizontally with upper and lower levels. The shelters were accessed by two, pillbox-shaped entrance shafts – one being the war memorial on Stockwell’s traffic island, and the other on Studley Road. The tunnels would have fit hundreds of beds to accommodate Londoners overnight, while there were further spaces for toilets, medical assistance and ventilation. The Stockwell shelter was completed in September 1942, but was initially used by the government until it opened to the public in 1944. With the war finishing a year later, it fortunately didn’t get much use. After V-day, the Stockwell shelter was briefly used to house military personnel.
For decades, the shelter remained an ugly eyesore on the South Lambeth Road. However, Brian Barnes and Myra Harris turned it into a war memorial in 1999. Brainstorming with schoolchildren at nearby Stockwell Park School, the images were inspired by local history. Among the famous faces pictured include actor Sir Roger Moore – who grew up in Stockwell – and artist Vincent Van Gogh, who briefly lived in nearby Hackford Road during 1873-74. It also depicts the MV Empire Windrush ship, which brought Caribbean emigrants to Britain, with many settling in Brixton and the surrounding areas. Some new arrivals ending up sleeping in a makeshift hostel in the Clapham South deep-level shelter until they found more long-term accommodation.
The mural was expanded in June 2001 with the addition of war hero and special agent Violette Szabo (1921-1945), who spent her teen years living in Stockwell. The top of the mural features a quote from Robert Laurence Binyon’s (1869-1943) poem ‘For the Fallen’, originally published in September 1914.
- The Stockwell War Memorial can be found on the roundabout at the junction of South Lambeth Road and Clapham Road, Stockwell, SW8 1UG. Nearest station: Stockwell.
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To see photos inside the Clapham South deep-level war shelter and more history, click here.
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Coming to London this winter and spring is a special, immersive art experience. The Van Gogh Museum in Amsterdam’s hit attraction Meet Vincent van Gogh Experience will run in the capital for nearly four months. Launching on the South Bank on 7 February 2020, the interactive and multi-sensory experience will allow art lovers to step into the legendary Dutch painter’s world. It recreates van Gogh’s life through his own words thanks to the Van Gogh Museum’s research and the artist’s personal correspondence.
The experience will open on the South Bank in the borough of Lambeth – the same borough where van Gogh resided for about a year in 1873-74 in Hackford Road, Brixton. It aims to bring van Gogh’s original works to audiences around the world who cannot see them in the Van Gogh Museum. Visitors will be treated to a fully-automated, audio-guide experience, where they can enjoy stunning projections and interactive installations. People can stand on Vincent’s doorstep or sit on his bed in the state-of-the-art set work. Follow his life story from his childhood in the Netherlands to his Paris studios; from the inspiring Arles countryside to the St. Rémy asylum, and finally, the sombre wheat field where he shot himself in July 1890, before dying of his injuries two days later.
The popular experience comes to the UK following 2019 tour stops in South Korea and Spain, where it attracted 400,000 visitors. Along with London, the Meet Vincent van Gogh Experience will also stop in Lisbon, Portugal this year.
- Meet Vincent van Gogh Experience runs from 7 February – 21 May 2020. At 99 Upper Ground, South Bank, SE1 9PP. Nearest stations: Waterloo, Waterloo East or Embankment. Open Sun-Wed 10am-6pm, Thu-Sat 10am-10pm. Tickets: Standard box office Mon-Fri £19, Sat-Sun £21. Advance online – Mon-Fri £18, Sat-Sun £20. Concessions available for students, children and the elderly. For tickets and more information, visit MeetVincent.com.
For more of Metro Girl’s art posts, click here.
Are you interested in your family history but don’t know where to start? Well, this autumn, the Migration Museum in London is offering visitors insights and opportunities to delve into their ancestry. On 2 November, a day-long event will feature workshops, talks, and meetings with experts to help you delve into your origins. The Migration Museum’s Family History Day will offer activities, talks and assistance from experts from the National Trust, the National Archives and London Metropolitan Archives.
There will be talks from TV star Robert Rinder, who delved into his own family’s past on BBC show Who Do You Think You Are?. Robert Kershaw from the National Archives will explain how its records can be searched and interpreted. Else Churchill from the Society of Genealogists will also be showing how you can search your family’s 20th century history, which can often be more difficult due to sealed records. Meanwhile, Robert Winder – author of Bloody Foreigners – shows how to put historical context into our personal family stories.
Throughout the day, there will also be a photograph dating with a National Trust expert, family history workshop, a chance to search for relatives who fought in WWI and WWII, an installation highlighting the history of black Britons with the Black Cultural Archives, and the chance to speak to war veterans.
Robyn Kasozi, Head of Public Engagement at the Migration Museum, enthused: “Our Family History Day aims to empower people to delve into their past and uncover their family’s migration stories, both within the UK and beyond its borders.”
- Migration Museum’s Family History Day is on 2 November 2019. At the Migration Museum at The Workshop, 26 Lambeth High Street, Lambeth, SE1 7AG. Nearest stations: Vauxhall, Lambeth North, Westminster or Waterloo. Open: 10.30am–4.30pm. Tickets: £5 (includes entry to all exhibitions). Book online at the Migration Museum website.
For a guide to what else is on in London this November, click here.
This year marks 30 years since the fall of the Berlin Wall. From 1961 to 1989, a guarded concrete barrier divided West and East Berlin. During its 28 year life span, over 80 people died trying to cross the wall. Finally, on 9 November 1989 the wall started to come down and was destroyed by Berliners, uniting the city once again. I was at primary school when the wall fell and remember my impassioned teacher telling us about this historic moment during assembly, which I was a bit too young to understand.
Various pieces of the Berlin Wall survive today. In the gardens of the Imperial War Museum in London, there is a piece of the wall complete with original street art. It features the words ‘Change Your Life’ in a giant mouth by graffiti artist Indiana (Jurgen Grosse). The 3.64 metre high section comes from near the Leuschnerdamm in the Kreuzberg district and was acquired by the Imperial War Museum in 1991. It is believed the slogan ‘Change Your Life’ may be from the German poem Archaischer Torso Apollos (Torso of an Archaic Apollo).
- Imperial War Museum, Lambeth Road, Lambeth, SE1 6HZ. Nearest station: Lambeth North.
For more London history and architecture posts, click here.
Room to Breathe exhibition review: Exploring the journey from new arrival to finding ‘home’ @ Migration Museum
The Migration Museum has been open since 2016 and explores how the movement of people has shaped the capital over history. Although a hot topic of conversation in the media, it’s far from new, as migration in and out of London and the UK as a whole has been going on for centuries. This month, the Migration Museum launched their newest exhibition Room To Breathe, which runs until summer 2019. I went along to the recent launch to check it out.
Room To Breathe is the museum’s most interactive exhibition yet, offering an immersive journey through a migrant’s experiences, from arrival to settling in to (hopefully) finding somewhere they can call ‘home’. It explores the very different reasons people arrive in the UK, from escaping war, to seeking new opportunities, to love and family.
To those who may have visited before, the museum galleries have been transformed into a home, with a series of rooms featuring interactive learning tools. You start in the ‘Home Office’, an overwhelming place full of files, depicting how new arrivals are often seen as numbers on paperwork categorised into a section.
You then progress into a bedroom, a classroom, a kitchen with interactive screens, audio, and objects bringing these people to life. Over 100 migrants who arrived in Britain from the early 20th century until the present day have shared their stories for the exhibition. Many are hidden within the exhibition in drawers, cupboards or magazines so you are invited to rummage around and explore. People including war refugees, international NHS workers and Windrush migrants have revealed their personal histories. As a daughter of Irish migrants, I found some of the Irish stories particularly relevant. As many migrants can attest, pining for familiar foods or a favourite snack from home can bring a lot of comfort. I spotted a box of Barry’s Tea in the kitchen which made me smile. Whenever I visit family in Ireland, I always make sure I buy a box of Barry’s Tea for my mother, who insists it’s better than Twinings or Yorkshire Gold.
With many migrants often being demonised by society or the media, this exhibition delves deeper as it humanises them and turns them from numbers into living, breathing human beings. As well as educating and inspiring, there will also be a programme of events throughout the exhibition, including performances, workshops, cookery classes and storytelling.
- Room To Breathe is on from 1 November 2018 – 28 July 2019. At the Migration Museum @ The Workshop, 26 Lambeth High Street, Lambeth, SE1 7AG. Nearest station: Vauxhall, Westminster or Lambeth North. Open Thu 12pm-8pm, Fri-Sun 12pm-6pm. Free admission. For more information, visit the Migration Museum website.
‘No Turning Back: Seven Migration Moments that Changed Britain’: New exhibition at the Migration Museum
Migration is a huge topic of conversation right now as the Brexit process continues to rumble on amidst much confusion. Whatever happens, it is likely to have a big impact on the cultural make-up of Britain going into the future. Earlier this year, the Migration Museum opened with an aim to explore the way the movement of people has shaped our country.
Launching this September is the Museum’s latest exhibition No Turning Back: Seven Migration Moments that Changed Britain. As we gear up for Brexit, the exhibition looks back at seven turning points in Britain’s history which have changed its people and communities.
The exhibition features the expulsion of England’s entire Jewish population in 1290 to the first East India Company voyage to India in 1607. Meanwhile, the 20th century saw the Rock Against Racism movement of the late 1970s and the 2011 census showing a large amount of Brits identifying as ‘mixed-race’. The periods are explored through personal stories, commentary, photography and art. The exhibition aims to depict the variety of reasons people decided to come and leave the UK and the difficulties experienced during their journeys.
Barbara Roche, chair of the Migration Museum Project, said: ‘No Turning Back encapsulates what the Migration Museum for Britain that we are creating is all about – providing a cultural space for exploration of how immigration and emigration across the ages has shaped who we are today as individuals, and as a nation. Britain’s migration history is as complex as it is long, with generation after generation facing challenges, sometimes acceptance and sometimes hostility. Against the current backdrop of fierce national debate, the need for exploration of this important theme that connects us all could scarcely be greater.’
- No Turning Back: Seven Migration Moments that Changed Britain is on from 20 September 2017 – 25 February 2018. Migration Museum @ The Workshop, 26 Lambeth High Street, Lambeth, SE1 7AG. Nearest station: Vauxhall, Westminster or Lambeth North. Open Wed-Sun 11am-5pm (late opening on last Thursday of the month until 9pm. Free admission. For more information, visit the Migration Museum website.
For the latest what’s on in London guide, click here.
Following the Brexit vote last year, the Syrian refugee crisis and Donald Trump’s shock presidency, the issue of migration is bigger than ever. London is renowned for being a multicultural city so it’s no surprise most of the capital voted against Brexit. Most Londoners recognise the huge contribution migrants have given to the city. However, migration is no new phenomena, with waves from various parts in the world dating back centuries. London itself after all was founded by migrants, aka Romans, in the 1st century. As someone who was born, grew up and continues to live in London, I can’t think of many friends who are British going back generations. I myself am a first generation Brit born to Irish parents and most of my best friends have migrant parents.
With migration being such an important part of London’s history, it’s amazing there hasn’t been a museum dedicated to the subject until now. However this spring, the Migration Museum opened its doors at The Workshop in Lambeth. The Workshop, an arts and community space which is home to the London Fire Brigade Museum among others, is a temporary venue for the Museum until 2018. The museum aims to explore how the movement of people has shaped the country throughout history.
I paid a visit recently and checked out two exhibitions: Call Me By My Name and 100 Images Of Migration. The latter was a collection of thought-provoking images of migrants in Britain from professional and amateur photographers, dating back decades to present day. Although some photos were very different, they collectively demonstrated up the variety of experiences and lifestyles of migrants in the UK. I especially liked a photo of children from different ethnic groups playing together, which was a lovely display of integration and reminded me of my childhood at a multi-cultural, south London primary school.
Call Me By My Name is a particularly powerful exhibition, giving a voice to those who experienced living in Calais’ infamous ‘Jungle’. Following a lot of negative criticism and pigeon-holing in the media, this multi-media exhibition humanises them. Through art, images and other media, it delves into individuals’ motivation for leaving their home country, their desperation to seek safe refuge and their hopes for a new life in the UK or Europe. Reading some of the first-person narratives was incredibly moving and I think many MPs should check it out before making decisions regarding the UK’s treatment of migrants. The exhibition is far from one-sided, giving the views of politicians, lorry drivers and others who hold more negative opinions of migrants. I was specially struck by the tear gas curtain – what looks like a piece of decoration from afar, it’s only on closer inspection you realise it is made of tear gas canisters used in ‘the Jungle’, provoking a disturbing image.
Overall, the Migration Museum provides a balanced, informative and moving collection, putting migration in context and demonstrating it cannot be generalised. Regardless of your background, it’s well worth visiting to explore how movement of people having shaped our country, particularly when Brexit is likely to make a huge impact on this in the coming years.
- Migration Museum @ The Workshop, 26 Lambeth High Street, Lambeth, SE1 7AG. Nearest station: Vauxhall, Westminster or Lambeth North. Open Wed-Sun 11am-5pm (late opening on last Thursday of the month until 9pm. Free admission. For more information, visit the Migration Museum website.
To find out about the new ‘No Turning Back’ exhibition at the MM (Sep 2017-Feb 2018), click here.
To read Metro Girl’s history posts, click here.
I’ve previously blogged about the creation of the Victoria and Albert Embankments in the 19th century which coincided with the creation of the camel and sphinx benches, the sturgeon lamps and Cleopatra Needle’s sphinxes. However, there is another item of street furniture which appeared around the same time – the swan benches on the Albert Embankment.
In Victorian London, the rapidly expanding population were creating major issues including the disposal of waste and sewage, most memorably the ‘Great Stink’ in 1858. The local government recognised the infrastructure couldn’t cope with surge of people living and working in the city and established the Metropolitan Board Of Works in 1855. One of board’s biggest projects was the creation of the Victoria and Chelsea Embankments on the north bank of the River Thames and the Albert Embankment on the south. The MBW’s Chief Engineer Sir Joseph Bazelgette (1819–1891) oversaw the extensive project, which involved reclaiming marshland and making the river slimmer in that part of the capital. As well as creating a sewage system and new streets to relieve traffic congestion, a lot of slums on the banks of the river were cleared. In regards to the south bank, the creation of Albert Embankment was also designed to protect low-lying areas of Lambeth from flooding at high tide. The creation of the Victoria Embankment started in 1862, with work commencing on the Albert Embankment in July 1866 and was finished in November 1869. The Chelsea Embankment wasn’t finished until 1874. The embankments were named after the reigning monarch of the time Queen Victoria and her consort Prince Albert, who died in 1861.
In the typically Victorian way, the new Embankment needed to have suitable ‘street furniture’ to give London – heart of the British Empire – a look of prestige and style. George John Vulliamy (1817–1886) was hired as the Superintending Architect. Among one of his many projects in addition to the iconic London ‘dolphin’ lampposts, were creating benches for both sides of the Thames. On the north side, the benches’ panels and arms were designed in the shape of Egyptian sphinxes and camels – complementing Cleopatra’s Needle. On the south side of the river, there aren’t quite as many ornamental benches. However, on the stretch of Albert Embankment between Lambeth and Westminster Bridges are 15 benches featuring cast iron swan panels and arms. These benches were Grade II listed in 1981 and are established within Lambeth’s Conservation Area due to their aesthetic and historical significance. Although I am yet to find official confirmation, I would assume the swan benches have been similarly designed by Vulliamy and made by Z.D. Berry & Son of Regent Street. While the reason behind the Egyptian theme of the Victoria Embankment benches is established, the significance of the swans is not clear.
The name Henry Doulton is stamped on the base on the benches. I admit I couldn’t find a definite answer (but would welcome anyone who knows to comment below), but perhaps Sir Henry (1820-1897) contributed to the funding of the Embankment. Sir Henry was a key player in the expansion of the family ceramics company Royal Doulton, which was founded by his father John (1793-1873). The company had factories on various sites in Lambeth over the years near the Embankment and had to give up some of their land to the MBW for the building of the riverside walk. Sir Henry’s brother Frederick (1824–1872) was a MP for the Liberal Party and a member of the Lambeth Vestry of the Metropolitan Board Of Works from 1855 to 1868. Today, the only remainder of the pottery industry which once stood there is the former Royal Doulton headquarters building on the junction of Black Prince Road and Lambeth High Street, a neo-Gothic building (built 1878) now renamed as Southbank House. Royal Doulton left the Lambeth premises in the 1950s for Stoke-on-Trent.
One possible link to the swans could a tribute to Old Swan Yard, a small yard full of housing off Fore Street – the road which ran along the Thames. Swan Yard and Fore Street were demolished to make way for the Embankment in the 1870s. Whatever the reasoning behind the design of the swan benches, today they stand elevated on a concrete plinth so people can sit and admire the fine view of Big Ben and the Houses of Parliament. Located so near to St Thomas’s Hospital, the stretch of Embankment and benches are popular with hospital patients and visitors.
- The swan benches are on the Albert Embankment, in between Lambeth and Westminster Bridges. Nearest stations: Westminster, Lambeth North or Waterloo.
For Metro Girl’s blog post on the Vulliamy’s camel and sphinx benches on the Victoria Embankment, click here.
Or for more on Vulliamy’s Dolphin lamps, click here.
To read Metro Girl’s other blog posts on London history, click here.
Unless you’ve been hiding under a rock, you may have noticed that Vauxhall is one of London’s up and coming areas. Long renowned as a transport hub and for its business parks, SE11 is now gaining attention for its nightlife and restaurants after a huge investment in the area. With its close proximity to the Thames, it’s a wonder it hasn’t happened sooner.
This festive season, the Vauxhall Pleasure Gardens has been transformed into a mini winter wonderland of sorts with an ice rink, maze of Christmas tress and suitably Christmassy food and drink. Last Friday, we went to the launch of Ice Skate Vauxhall, the first temporary rink to come to the area. The full-sized rink has an atmospheric, urban surrounding of multi-coloured lights, trees and street art. The amount of people on the ice at one time is controlled in 45 minute sessions so you have enough room to skate regardless of your confidence.
For those who aren’t so gung-ho on the skates, there’s plenty to keep you occupied at the sidelines while your friends or family members twirl around the ice. After our Torvill and Dean impressions (ahem), we headed to the pop-up Cabin Bar, which was serving mulled wine and hot cider, perfect for those chilly winter days. During the weekends there will also be an extended street food market.
An added attraction, which is unique to Ice Skate Vauxhall, is the Christmas Tree Maze next door. A labyrinth of lanes separated by fir trees, covers a square kilometre of the Gardens, providing a challenge to find the centre. Overall, the combination of attractions and choice of food and drink mean you could easily spend a few hours here, getting into the festive spirit with family or friends.
- Ice Skate Vauxhall is open daily from 11am-8/9pm from 21 November until 4 January 2015. Skating tickets: Adults £10.80/£12, Children start from £9.45/£7.65. (Cheaper if booked online in advance). Entrance to the maze is £4.50. Vauxhall Pleasure Gardens, Kennington Lane, Vauxhall, SE11 5HL. Nearest tube/train: Vauxhall. For more information, visit Ice Skate Vauxhall website.
For Metro Girl’s guide to what else is on in London this month, click here.
Or for a guide to open air ice rinks in London this season, click here.