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Anchored on the River Thames near the Tate Modern and the Millennium Bridge is a floating art installation.
The Rivers of the World exhibition returns for the Totally Thames festival
© Milo Robinson
Without the River Thames, London wouldn’t be the city it is today. With the capital returning to life following the end of lockdown, why not head to this year’s Totally Thames? The annual festival returns for the 25th year from 1 – 30 September 2021, boasting a host of events celebrating the heritage, environment and culture of the Thames. From mudlarking to art exhibitions to light installations and walking tours, there’s a variety of events for all ages. While many events are in-person, there will also be plenty to enjoy online as well.
This year’s festival will feature a series of mudlarking events, including an exhibition of fascinating finds, portraits of mudlarkers, an immersive talk, an online writing workshop and Archaeological Foreshore Walks. Meanwhile, the riverside neighbourhoods of Silvertown and Woolwich will be the focus of heritage events, such as walking tours, a photography exhibition and history talks.
The Rivers of the World exhibition will return to the riverside by the Tate Modern with children’s artwork inspired by the river. Children and youth from Greenwich have teamed up with Ghanian schools and professional artists to produce a collection of artworks.
There will also be a series of events marking the completion of Leo Villareal’s Illuminated River project. The world’s longest public art installation sees the bridges of Lambeth, Westminster, Golden Jubilee, Waterloo, Blackfriars, Millennium, Southwark, Cannon Street and London lit up from sunset to 2am. Illuminated River will curate a three-day celebration from 23 – 25 September, including guided tours, talks and sketching workshops.
Find out what else is on in London in September 2021 here.
The art installation and benches at White Hart Dock in Vauxhall
The River Thames has always been the life blood of London, but before the rise of motor vehicles, it was a dominant way to travel. The river was a hub of industry and transport, with factories, wharf, docks and stairs lining its quaysides. As our demands on the river changed in the latter half of the 20th century, the volume of wharfs and docks has dramatically shrunk.
The slipway is hidden behind brick walls and leads to tunnels (left) leading towards the Thames
One remaining dock that has managed to survive is White Hart Dock in Vauxhall. With a road separating the dock from the Thames, it would be easy to miss it if you walked past. However, today there are modern boat sculptures giving a clue to what lurks behind. Situated at the junction of the Albert Embankment and Black Prince Road, there has been a dock or slipway at the site since the 14th or 15th century. On a 1767 map, White Hart Stairs are marked just a short distance south from the famous Horse Ferry embarkation, an ancient river crossing. At the time, Black Prince Road was named Lambeth Butts and led from White Hart Stairs to Kennington Palace (which existed from 12th to 16th century). By the early 19th century, the riverside end of Lambeth Butts had become Broad Street, with White Hart Stairs a popular drop off for water transport.
In 1868, the Albert Embankment was constructed by London’s Metropolitan Board of Works, creating a riverside road and walkway and allowing for the construction of piers for the many large-scale industrial premises, along with improving flood defences for the regularly flooded Lambeth. Prior to construction, White Hart Dock was a draw dock, but was rebuilt facing south. With the main road in between the dock and the Thames, boats would have to pass at an angle at low tide to access it (see a 1872 photo of the newly-built Albert Embankment with the tunnel leading to the dock). Around the same time, many other inland docks were built for Lambeth and Vauxhall factories, including the Royal Doulton potteries. It is believed the White Hart Dock served the Lambeth and Salamanca soap works, although was deemed for public use.
To those disembarking at White Hart Dock in the mid 1800s, one of the first things they would see was the enticing Crowley’s Alton Ale Wharf. The pub chain was run by the Alton Brewery, founded by a Quaker family from Alton, Hampshire. The Crowleys were early pioneers of the traditional pub lunch, offering a glass of ale and a sandwich for 4 pence. Charles Dickens had commented on the popularity of Crowley’s Ale Houses throughout England. Their signature offering grew so famous, the Crowleys had to take out an advert warning Londoners that the Ale Wharf at Vauxhall was their only genuine London branch, accusing rivals of opening “ale and sandwich” venues. (Check out a 1869 photo of the Crowley’s Alton Ale Wharf overlooking White Hart Dock).
Timbers in the shape of bows crown the dock
The dock’s decline began in the 20th century as industry started to move away from the river. During World War II, the dock was used as an Emergency Water Supply, with the letters EWS still visible today on a sign from the period. In 1960, the local council Lambeth sought parliamentary powers to close White Hart Dock as it hadn’t been used by commercial vehicles for many years. However, the closure was never realised, but the dock continued to lay unused.
After decades of neglect and uselessness, in 2004 Berkeley Homes purchased the land adjacent to the dock for development of a luxury apartment block. It was agreed, the surrounding environment should be enhanced, including White Hart Dock. A public art panel was established and the public invited to give feedback on six shortlisted proposals for the space. Sheffield artists Handspring Design won the commission with their ornamental boat-themed sculptures in 2009. Made of sustainably sourced, FSC English oak, the dock is now crowned by bow-like arches, with boat shaped benches facing the river. The dock itself is enclosed by high brick walls, with flood gates at one end. Peering over the walls you can see the slipway and under road tunnels leading to the river.
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There have been debates about whether or not the water in Belair Park in West Dulwich is from one of the Effra’s tributaries
For centuries, the River Thames wasn’t the only big expansion of water in the capital, with many rivers and streams flowing in all directions across the capital. Before water was piped around the capital, Londoners relied on their local rivers for washing, fishing… and some other less sanitary activities.
One of these London rivers was the Effra, which is now mostly subterranean. It started life as a tributary of the River Thames, and now runs through south London’s Victorian sewers. There has been much debate of the name ‘Effra’, which is believed to been first associated with the river in the late 18th century/early 19th century. English art critic John Ruskin (1819-1900), who grew up in Herne Hill, suggested the name was “doubtless shortened from Effrena, signifying the unbridled river”. Other suggestions include it originating from the Anglo Saxon word “efer” (translates as “bank”) or from the Celtic term “yfrid” (which means “torrent”). Various 18th century maps label the River as “Brixton Creek”, “The Wash” or “Shore”. Another recent suggestion is Effra is a corrupted word of “Heathrow” – the name of a 70 acre estate located south of Coldharbour Lane in Brixton. In the 1790s, the land belonging to Heathrow Manor was called Effra Farm. It’s been suggested the section running through the Brixton farm was called Effra, before being expanded to include the whole river.
A marker in West Norwood showing the course of the Effra
The course of the Effra River and its tributaries ran thorough the centre of south London (don’t take the postcodes of bordering SE and SW neighbourhoods so literally!), through Upper and West Norwood, Brixton, Herne Hill, Dulwich, Vauxhall, and Kennington. There has been much debate whether or not the lake in Belair Park in West Dulwich was made by damning one of the Effra’s tributaries in the 19th century, if so it would be the only part of the River currently visible above ground. However, the lake is just a few minutes walk from the old Croxted Road (formerly Croxted Lane), where the Effra did run through. When the river was open, it had an average width of 12ft and was around 6ft deep.
Over the centuries, the river and its tributaries were diverted. By the 18th century, the Effra was pretty filthy as rivers were commonly used for waste disposal. In the 1840s, the commissioners of Surrey and East Kent Sewers began the process of culverting the Effra. Civil engineer Sir Joseph Bazalgette (1819-1891) incorporated what was left of the open Effra into his revolutionary sewer system in the 1860s. Along the way, huge metal stink pipes were erected to safely expel the gases in the sewer. You can still spot the stink pipes dotted around south London, they look like extra tall lampposts with the light missing. While the river is now subterranean, nods to its existence remain in the local streets. For example Brixton is home to Effra Road, Effra Parade and Brixton Water Lane.
Meanwhile, in more recent times, the course of the Effra has been marked by cast iron plaques dotted throughout Lambeth. Design agency Atelier Works teamed up with local artist Faranak to design 14 different illustrations of flowing water for 30cm plaques in 2016. They can be spotted in pavements on various sites along the river’s 6 mile course. The typescript reads: “The hidden River Effra is beneath your feet.” Some of the plaques sightings include outside the Meath Estate on Dulwich Road (Herne Hill), Rosendale Road just south of the junction with the South Circular (West Dulwich), Robson Road (south side opposite No.5/6, West Norwood), the junction of Rattray Road/Mervan Road (Brixton), among others.
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The 1920s reconstruction of the subway entrance on the Tower Hill side
Situated just a few hundred metres from the Tower of London is a remnant of a lost transport system. A short circular building near the junction of Petty Wales and Lower Thames Street commemorates the former Tower Subway, which briefly transported passengers under the river in the 1870s. Although it closed 150 years ago, this 20th century reconstruction of its northern entrance reminds us of a pioneering piece of Victorian engineering.
The population of London swelled hugely during the Victorian era, prompting widespread building of bridges and transport to move the masses around the capital. The Thames Tunnel, which originally opened to pedestrians in 1843, was converted to train use by 1869. Meanwhile, the first tube, the Metropolitan Railway, opened in 1863. Keen to capitalize on the growing demand for these new transport methods, London-born engineer Peter W Barlow (1809-1885) patented a new method of tunnelling, in the hope of creating a network of tunnels to carry people under the city. City bosses were wary of the cost after the spiralling budget, deaths in construction and the 18 years it had taken to build the Thames Tunnel. However, Barlow’s pupil James Henry Greathead (1844-1896) said he could make the first cylindrical tunnelling shield (patented by Barlow) and use it to build a transport tunnel system under the Thames for £9,400.
Greathead’s project kicked off in February 1869, with the cast iron shield used to dig through the London clay – the first time this construction method had been used. The tunnel was 1,340 ft long, connecting Tower Hill on the north of the River Thames with Vine Lane near Tooley Street on the south. Inside the tunnel was a 2ft 6in gauge railway, which carried up to 12 passengers under the river in a cable-hauled wooden carriage in about 70 seconds. The lifts from street level to the tracks, as well as the cable car, were powered by a 4hp stationary steam engine on the London Bridge side of the tunnel. The rapid construction proved the tunnelling shield was a success and it was later used to build the City and South London Railway, the world’s first deep-level underground railway.
The tunnel was completed in less than a year with it taking its first passengers in February 1870. It appeared to have a ‘soft launch’ in April 1870, before being opened to the public four months later. Robert Miles commented in the British Almanac that the brief journey wasn’t exactly pleasant: “The temperature of the Subway is certainly rather high, but it only has to be borne with for a brief space. The passage is somewhat rough, the movements of the omnibus being jerky, especially at starting.” Initially, there were plans for similar tunnels at Gravesend, Woolwich and Greenwich, Cannon Street and Borough. However, by 7 December that year, the Tower Subway cable car ceased after the company ran into financial problems. Just a few weeks later, the tunnel was converted for pedestrian use, with customers paying a halfpenny to use it. The lifts were removed and replaced by a flight of 96 stairs, with gas lights being placed throughout the tunnel. At the height of its popularity, 20,000 people a week were using the tunnel, despite its reputation for being dark and claustrophobic.
As the end of the century approached, the Tower Subway’s fate was sealed when Tower Bridge opened locally in 1894. The latter was not only free to use, but pedestrians had the choice of crossing the river at vehicle level or by using the high-level walkways – a much more pleasant option than a dark, cramped tunnel. By 1897, the Tower Subway company applied to dissolve the company and closed the tunnel the following year. It sold the tunnel for £3,000 to the London Hydraulic Power Company (LHPC), who used it for power mains.
The original Tower Hill entrance to the Subway was later demolished, with the LHPC building a reconstruction in 1926, with lettering commemorating the original construction date. The tunnel was damaged by a Nazi bomb in December 1940, but amazingly its lining wasn’t penetrated and it was able to be repaired. Meanwhile, the original Vine Lane entrance on the south side of the Thames was later demolished around the 1980s-1990s.
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Moroccan artist Aïcha El Beloui took part in the Rivers of the World project at this year’s Totally Thames festival
Although many popular London festivals have been postponed until next year, one of my favourite ones – Totally Thames – is fortunately returning in September (its usual slot). However, the 2020 edition of the annual festival will be a mix of digital and outdoor events, so people can take part safely through social distancing or the comfort of their own home.
Now in its 24th year, Totally Thames is a celebration of the River Thames which flows through our capital. Kicking off on 1 September, the month-long festival will include arts events, activities, environmental initiatives, heritage and education programmes. Some of the outdoor events include paddlesports (kayaking, canoeing and stand-up paddleboarding), angling competition, public art walks, workshops, boat trips, guided walks, art exhibitions and more. Meanwhile, there are plenty of digital offerings, including storytelling, audio and virtual tours, kids’ choir and more.
One of the highlights of this year’s festival is Rivers of the World, with artists working remotely with over 2,000 13 and 13-year-old students around the world to create river-themed art. The participating students created art from home during the Covid-19 lockdown thanks to digital briefs and short films by the artists teaching them new skills and about the importance of the river. The artworks will be displayed on boards and flags by the river alongside the Tate Modern this September.
Sep 20
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Anchored on the River Thames near the Tate Modern and the Millennium Bridge is a floating art installation.
Explore the history and nature of Deptford Creek with the Creekside Center
With the current pace of building in the capital and developers looking to seize every last piece of land to build on, London’s wildlife is being squeezed into increasingly smaller environments. As banks of rivers and streams are absorbed into manmade land and structures, many animals and birds are running out of space to build nests, or even shelter during bad weather. While we need more homes in this overcrowded capital, it’s trying to balance fulfilling demand while protecting the wildlife’s habitats that is a real challenge.
Recently I paid a visit to the Creekside Discovery Center in Deptford, south-east London to join one of their Low Tide Walks. My boyfriend and I were up bright and early on a Sunday (well, by my standards early for a Sunday!) morning to get suited up for our visit to Deptford Creek. We were told to wear old clothes and a hat, with the CDC providing thigh-high waders and a walking stick. The Center itself is a one-storey educational space in a garden full of beautiful, coloured wildflowers. In fact there are over 130 different wildflower species across the site. It was rather amusing to see various memorabilia retrieved from the Creek dotted around like a modern art display, such as shopping trolleys, rollerskates and typewriters. I’m always baffled why someone would find enjoyment by throwing a trolley into a river or creek… perhaps they should get an actual hobby?!
The old lifting bridge, built in the 1830s
The name Deptford comes from ‘deep ford’, with the Creek forming the north end of the River Ravensbourne before it flows into the Thames. We started our two-hour expedition being led down to the Creek by a conservationist Nick. We entered the water – and mud – near the historic lifting bridge. It was originally built in the 1830s for the London and Greenwich Railway, which connected London Bridge with Greenwich, which was incredibly busy at the time due to its naval and royal connections. The railway was the first steam service in the capital and also the first entirely elevated railway. When it came to crossing the Creek, the railway owners realised it was problematic. They couldn’t build a regular fixed crossing as that would have blocked the many ships passing up and down the Creek. Civil engineer George Thomas Landmann (1779-1854) came up with the idea of a lifting bridge, which would allow trains to pass over while in situ, but could be lifted up for passing barges via pulleys, chains and sliding rods with eight men required to operate it. The current bridge you can see today, is a younger replacement, with several bridges replacing the original 1830s one. At time of writing, it’s been out of action for decades and is a listed structure. Read the rest of this entry
The London Hong Kong Dragon Boat Festival takes place in Docklands in June
© London Hong Kong Dragon Boat Festival
One of the country’s most exciting sporting competitions is returning to the capital this summer. The London Hong Kong Dragon Boat Festival is back at the London Regatta Centre on Sunday 30 June 2019. Around 10,000 visitors from the UK and internationally will be heading to the banks of the Thames for a free family-friendly celebration of sport and culture.
The annual LHKDB Festival offers the chance to experience Chinese culture in London. Over 40 competing club, corporate and amateur teams will be battling it out on the river. Novices will be bravely taking on some of the UK’s most experienced paddlers in the bid to win one of the six cups.
Meanwhile, on dry land, visitors can sample some of the culinary delights at a South East Asian food festival while being entertained by live music, martial art displays and traditional Chinese lion dancing on the East West Festival stage.
Dragon boat festivals date back to the banks of the Yangtze River in ancient southern China around 2,5000 years ago. The 2019 festival is the 24th in London and is organised by the London Chinatown Lions Club and is supported by Hong Kong Economic & Trade Office, The Hong Kong Executives Club and The London Chinatown Chinese Community Centre.
For the latest what’s on guide in London in June, click here.
A 19th century iron pipe (the green) carries a river above Sloane Square station
London is home to many ‘hidden’ rivers. Many of these became subterranean in the 19th century as the capital’s population boomed. A host of tributaries of the River Thames and River Lea have been forced underground and now exist in pipes. While most of the secret rivers aren’t visible to most Londoners today, there is one river you can see (sort of).
Many commuters have no idea there’s a river running through the station
The River Westbourne was originally named Kilburn – originating from ‘Cye Bourne’, which means ‘royal stream’. It rises in the Whitestone Pond in Hampstead and flows south through Kilburn, Bayswater, Hyde Park and Chelsea, before discharging in the River Thames near Chelsea Bridge. One of the crossings over the Westbourne was the Knights’ Bridge, a name dating back to at least the 11th century. Although the bridge is long gone, its name lives on in the district of Knightsbridge. There was another bridge crossing the Westbourne in the Sloane Square area named Blandel Bridge, later being renamed as Grosvenor Bridge.
The Serpentine lake in Hyde Park was formed in 1730 when King George II’s wife Queen Caroline (1683-1737) ordered the damning of the Westbourne. The river continued to supply the Serpentine until 1834, when it was deemed too polluted, so Thames water was used instead.
London’s population boom in the 19th century prompted widespread development. Increased residential dwellings popping up in the areas surrounding the Westbourne in Paddington, Chelsea and Belgravia, led to the decision to drive the Westbourne underground. The water was directed into pipes in the early part of the 19th century.
Today, commuters who use Sloane Square tube station can see the River Westbourne crossing the platform and tracks in a pipe. A large iron pipe suspended from girders carries the Westbourne through Sloane Square station, which was opened in December 1868. The pipe is the original one from the 19th century and managed to escape damage when the station was bombed during World War II in November 1940.
The Westbourne was forced underground in the early 1800s
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