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Pose with your favourite film character at this outdoor art exhibition, which runs until late July 2020.
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THE END finally lands on Trafalgar Square’s Fourth Plinth
Heather Phillipson’s sculpture of whipped cream is the 13th commission on the Fourth Plinth.
THE END by Heather Phillipson on the Fourth Plinth in Trafalgar Square
The latest artwork to adorn the Fourth Plinth in Trafalgar Square was at last unveiled on 30 July 2020. Artist Heather Phillipson‘s THE END is the 13th project to take its place in the central London setting since the programme began in 1998. The unveiling was delayed due to the Covid-19 pandemic and ensuing lockdown and replaces the previous piece, The Invisible Enemy Should Not Exist by Michael Rakowitz.
THE END’s unveiling has been a long time coming for Phillipson, whose piece was selected for the commission back in 2017. However, it’s themes around dystopia and chaos seem more apt than ever right now as the world remains drastically changed due to the ongoing pandemic.
Standing tall at nearly 31ft, the artwork conveys the focus of Trafalgar Square as a location for celebration and protest. It features a giant dollop of whipped cream, topped with a cherry, fly and a drone. The latter transmits a live feed of the square via http://www.theend.today website, giving visitors a unique perspective of the Westminster landmark through the ‘eyes’ of the artwork.
The fourth plinth was originally designed as part of a quartet by architect Sir Charles Barry when he designed Trafalgar Square in the mid 19th century. It was originally scheduled to showcase an equestrian statue of King William IV, but the plan was never realised due to austerity cuts.
- THE END by Heather Phillipson is on display from 30 July 2020 until further notice. At the Fourth Plinth, Trafalgar Square, Westminster, WC2. Nearest stations: Charing Cross, Piccadilly Circus, Embankment or Leicester Square.
The End is the 13th commission on the Fourth Plinth
Read more on the Fourth Plinth commissions
For more of Metro Girl’s art posts, click here.
Follow the words of Virginia Woolf with ‘Around The Corner’ from Culture Mile
One of the ‘Around the Corner’ installations by St Paul’s Cathedral
If you’ve walked near St Paul’s Cathedral or the Barbican recently, you may have noticed the appearance of some gold word sculptures dotted around. These installations are part of Culture Mile’s new commission ‘Around The Corner’.
From the north side of the Millennium Bridge to Aldersgate Street by the Barbican tube station, a series of 12 installations quote a line from Virginia Woolf’s 1922 novel Jacob’s Room: “What are you going to meet if you turn this corner?” The piece has been created by architects Karsten Huneck and Bernd Truempler from KHBT.
Starting at St Peter’s Hill with the word ‘What’, you can follow the sentence along points of the walk, with each sculpture featuring information to help you find your way.
- ‘Around the Corner’ is on in the City of London until 30 April 2020 (update – it appears to have been extended due to the Covid-19 pandemic and is still on show in June 2020). For more information, visit the Culture Mile website.
Walking with The Snowman: Follow the festive art trail at London Bridge City
Dec 2
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A fun activity for families to find the painted Snowman sculptures inspired by The 12 Days of Christmas.
Antony Gormley review: Artist pushes the boundaries of the Royal Academy with his huge sculptures
Matrix III is one of the highlights of the Antony Gormley exhibition at the Royal Academy of Arts
Antony Gormley is one of Britain’s most famous living artists, with his sculpture career dating back 45 years. He tends to focus his creations on the human form – usually his own – with his latest exhibition attempting to raise our awareness of the bodies we inhabit.
‘Body’ and ‘Fruit’
The artist’s new exhibition at the Royal Academy of Arts has taken over 13 rooms, with Gormley molding and adapting the Georgian rooms to fit his large-scale installations. The Academy has had to get some of the rooms water-proofed and reinforced to support the weight of some of the pieces. The exhibition features work throughout the decades, including his rarely-seen, early pieces from the 1970s. Also on display are many of his sketchbooks so you can see the progression from idea to fruition as a physical sculpture.
Before even entering Burlington House, you could be forgiven for nearly tripping over the first Gormley piece – ‘Iron Baby’ (1999) – in the courtyard. The sculpture is a newborn baby curled up in a ball, apparently inspired by the artist’s daughter. A contrasting piece – the strength of its iron with the vulnerability we usually associated with newborns.
From the beginning of the exhibition, Gormley’s presence is everywhere. ‘Slabworks’ is a series of metal figures that many would associate with the artist due to the prominence of similar pieces across the country. The shapes lie, stand and sit in various directions and contortions. Nearby is ‘Mother’s Pride’, a recent recreation of an old piece made out of white bread. A man’s (presumably Gormley’s) silhouette has been eaten out of the bread, with the natural expiration of the material displaying an evident reason why it had to be recreated for this year’s exhibition. Read the rest of this entry
Frieze Sculpture 2019: Step into Regent’s Park outdoor gallery of contemporary art
Sep 15
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Over 20 international artists have taken part in this year’s open-air art gallery in Regent’s Park.
Sculpture in the City 2019/2020: Free art exhibition returns to London
Jul 13
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The free contemporary art exhibition has returned to the streets of the City of London for a ninth edition, running until June 2020.
Conservation and colours as the Tusk Rhino Trail comes to the capital
Patrick Hughes’ The Rainbosceros in Covent Garden for The Rhino Trail
If you’ve been in central London recently, you may have noticed some pretty new pieces of street furniture. Twenty one rhino sculptures have been erected near iconic sights as part of the Tusk Rhino Trail. Each piece of art has been customised by international artists, to raise awareness of the rhinos’ plight. These magnificent creatures are under threat of extinction due to poaching and they must be protected.
Nick Gentry’s silver rhino at St Pancras
The capital-wide art installation has been curated by Chris Westbrook for the Tusk conservation charity. The sculptures will remain in situ until World Rhino Day on 22 September 2018. The following month, all 21 will be auctioned by Christie’s to raise money for the charity on 9 October.
Artists taking part include Ronnie Wood, Marc Quinn, Gavin Turk, Axel Scheffler, the Chapman Brothers, Charming Baker, Glen Baxter, Nick and Rob Carter, Eileen Cooper, Nancy Fouts, Nick Gentry, Zhang Huan, Patrick Hughes, David Mach, Gerry McGovern, Harland Miller, Mauro Perruchetti, Dave White, David Yarrow and Jonathan Yeo. Locations include Trafalgar Square, Covent Garden, Guildhall, Marble Arch and St Paul’s. Why not download a map and bring your children rhino spotting.
- The Tusk Rhino Trail is on now until 22 September 2018. To download the trail map and find out more about the charity’s work, visit the Tusk Rhino Trail website.
For a guide to what else is on in London in September, click here.
This post is taking part in #CulturedKids, sharing cultural blog posts aimed at children. Thanks to Catherine at Cultured Wednesdays for getting me involved.
‘The Invisible Enemy Should Not Exist’ comes to the Fourth Plinth
The latest commission for the Fourth Plinth is The Invisible Enemy Should Not Exist
This is the 12th work to appear on the Fourth Plinth since 1998
Trafalgar Square has been given a new piece of art amongst its fountains, lions and statues following the unveiling of the latest Fourth Plinth commission. Succeeding David Shrigley’s divisive Really Good, the latest piece is a recreation of a lost ancient artefact.
Michael Rakowitz’s artwork The Invisible Enemy Should Not Exist is a piece from his long-term project to recreate 7,000 objects that have been lost forever. This particular sculpture is a recreation of the Lamassu, which had guarded the Nergal Gate of Nineveh (near Mosul, Iraq). Created around 700BC, it was destroyed by ISIS in 2015, along with many other ancient artefacts and historical sites. The Lamassu is a deity featuring a human head with the body of a winged bull. Rakowitz has chosen to make his sculpture from 10,500 empty Iraqi date syrup cans, a once thriving industry which was ravaged by the conflicts of the region. On the fountain facing side of the piece, an inscription in Cuneiform reads: ‘Sennacherib, king of the world, king of Assyria, had the inner and outer wall of Ninevah built anew and raised as high as mountains.’
The piece is made from 10,500 empty Iraqi date syrup cans
This is the 12th work to appear on the Fourth Plinth since the programme started in 1998. The plinth was designed as one of four by architect Sir Charles Barry when he laid out Trafalgar Square in the 1840s. It was originally scheduled to showcase an equestrian statue of King William IV, but the plan was never realised due to austerity cuts. After 150 years of remaining empty, the Fourth Plinth programme was finally conceived in the 1990s as a platform for temporary artworks.
- The Invisible Enemy Should Not Exist will remain in situ until March 2020. At the Fourth Plinth, Trafalgar Square, Westminster, WC2. Nearest stations: Charing Cross, Piccadilly Circus, Embankment or Leicester Square.
One side of the sculpture features an inscription in Cuneiform
For more of Metro Girl’s art posts, click here.
Sculpture In The City 2017/2018: Contemporary art comes to the Square Mile
Dec 11
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Sculpture In The City is a public art exhibition, bringing contemporary pieces to spaces around the City of London. Now in its seventh year, the 2017-2018 collection launched this summer, with a majority of pieces remaining in situ until June 2018. Among the artists taking place include Damien Hirst, Karen Tang, Peter Randall-Page, Bosco Sodi, […]
