This gallery contains 4 photos.
Find out why one of William Blake’s artworks was projected on London’s iconic dome.
This gallery contains 4 photos.
Find out why one of William Blake’s artworks was projected on London’s iconic dome.
This gallery contains 7 photos.
‘Where Light Falls’ commemorated the brave Londoners who protected St Paul’s during the Blitz.
This gallery contains 4 photos.
Architects KHBT and artist Ottmar Hörlwatch created a installation near St Paul’s tube station for the London Festival of Architecture 2019.
Two years ago, a bronze sculpture of a young girl appeared in New York City and made international headlines. ‘Fearless Girl’ by Kristen Visbal was originally commissioned by State Street Global Advisors (SSGA) to highlight companies with more balanced gender representations and more women amongst leadership roles. The sculpture was erected opposite Wall Street’s famous Charging Bull statue.
A copy of Fearless Girl was unveiled in London on International Women’s Day (8 March 2019). The bronze statue stands outside the London Stock Exchange on Paternoster Square, just moments from St Paul‘s Cathedral. Standing at around 50 inches high, the sculpture will remain in situ until early June. The SSGA said it hopes the statue’s appearance in London will encourage companies to address gender imbalance in leadership roles.
For the latest what’s on guide in London, click here.
At this time of year, a rooftop bar isn’t always a natural choice for a night out. However, this season, City of London drinking destination Madison have given their terrace a winter makeover. Their outdoor space has been turned into an enticing, cosy festive hideout, with a special winter drinks menu of hot aperitifs.
Last week, I went along with a friend to check out Madison’s new seasonal menu and to try their winter warmers. Madison is a restaurant and bar spanning the top floor of the One New Change complex and boasts amazing views of neighbouring St Paul’s Cathedral and the capital skyline. I’ve previously visited the bar for summer alfresco drinks and have always enjoyed their cocktails so was looking forward to seeing what they could do with the changing season.
The night of our visit was pretty cold, but fortunately Madison are well prepared with patio heaters and cosy faux fur and tartan blankets to snuggle up under. Their rooftop space features a series of alpine-inspired chalets with twinkling lights, which really gives it a Christmassy atmosphere.
As well as their usual wine and cocktail list, Madison’s bartenders have curated a special Hot Aperitifs menu featuring a selection of six warm cocktails. My friend and I both have a sweet tooth so the Chocolate Delight (Bulleit Whisky, chocolate and salted caramel) seemed like a good place to start. There was just a hint of the whisky’s smokiness, but it was predominantly sweet. The cocktail did remind me of a boozy hot chocolate and was very easy to drink. As a regular gin connoisseur, I also couldn’t resist trying the Aromatic Genever (Gin and green apple), which was pretty strong with a hint of fruitiness. Meanwhile, my friend went for a more traditional Christmas drink – a Vin Brule (Italian Mulled Wine), which she really enjoyed.
Aside from our hot concoctions, we also ordered a sharing platter from the bar menu. We ate a selection of warm snacks, including tallegio and walnut arancini (my personal favourite), buttermilk chicken, sautéed mini chorizo sausage and smoked tomato hummus with seeded crackers. There was a good, tasty variety of food and the selection was a great accompaniment for a cocktail session.
Overall, we had a great evening. The service was friendly and attentive, while the atmosphere was very festive. Despite the cool outside temperature, we felt very cosy during our few hours on the roof thanks to the heaters and blankets. The cocktail menu had something for everyone’s tastes, although I particularly loved the Chocolate Delight, which really lived up to its name. I’ll definitely be returning for some Christmas drinks.
For a guide to what else is on in London in Febuary, click here.
For more of Metro Girl’s bar reviews, click here.
If you’ve been to Miami in the past few years, you’ve probably heard of The Broken Shaker. Originally launched as a pop-up in 2012, it’s now a fully-fledged permanent drinking spot at the Freehand Hotel and was No.17 on the 2017 list of the World’s Best Bars. Its team have already wowed Chicago, Los Angeles and New York and now it’s finally crossing the Atlantic just in time for London Cocktail Week 2018.
This Miami Beach hotspot will be bringing its eclectic Florida vibes to the capital for an exclusive pop-up at Madison London. From 2 – 5 October 2018, The Broken Shaker’s East Coast bar director Bobby Eldridge will be creating a bespoke drinks menu for the rooftop destination in the City of London.
Guests can expect a little slice of Miami in an urban oasis with sweeping views of St Paul’s Cathedral and the Square Mile. The team behind the Broken Shaker are bringing some Miami heat with its signature ‘backyard’ tropical décor. The special menu will feature a mix of local and exotic ingredients, overseen by Miami’s top female bartender Courtney Lane.
Among the concoctions will be the grapefruit and garden shrub-infused Lion’s Club, whiskey-based Thai Tea Sazerac, and Coco-nut Case (Olmeca Altos Plata Tequila, Koko Kanu, fresh lime, kaffir agave and a coconut citrus sea salt rim). Also on offer will be the Broken Shaker’s signature aperitifs such as the Mocha Negroni (tequila, vanilla and grapefruit-infused Sancho’s Special), and the Fair and Square (peanut butter-washed Bulleit Rye, dark chocolate-infused Hennessy, red Vermouth, Benedictine and bitters).
For the latest guide to what’s on in London, click here.
I’ve long recommended a boat trip down the River Thames as a ‘must do’ to friends and family visiting London from abroad. It’s a great place to get an overview of the capital and some of its most iconic landmarks. such as the Tower of London, the London Eye and Cleopatra’s Needle. Personally, I’ve been down the river many times over the years on the Thames Clippers, party boats or the tourist cruises. However, the one Thames experience missing from my personal history was a speedboat ride… until now.
I had occasionally seen Thames Rockets on the Thames over the years as a pedestrian on dry land. Finally, last week, I got the chance to experience a trip on a Rocket myself. The company, which launched in 2006, offers six different experiences, ranging from a 15 minute ‘Thames Taster’ to the 80 minute Thames Barrier Explorers Voyage. I was on the Ultimate London Adventure, which aims to provide a “fun-filled adrenaline-fuelled 50 minute” journey. Ahead of my trip, I was intrigued how they would combine a sight-seeing tour and speed.
Arriving 15 minutes before departure, I was greeted by the friendly Thames Rockets team, who fitted my lifejacket at the pier just by the London Eye. Next, we were given a safety briefing before climbing in. The Thames Rockets boats are speedboats with seats for about 12 people, each with a driver and guide abroad during your journey. I managed to get a coveted spot at the front of the boat, which was perfect for me as I was planning to photograph and video a lot of the journey. We were introduced to our driver Doug and our guide Bill and prepared to set off.
The first part of our journey was a musical trip past some of London’s most famous sights, such as Shakespeare’s Globe, Waterloo Bridge and St Paul’s Cathedral. We slowed down a bit just before Tower Bridge so we could get some good photos. Soon after we passed under Tower Bridge and passed the River Police Station at Wapping, it was time to crank things up a gear. With this eastern passage of the Thames being wider and less busy than central London, Doug was free to increase the speed. Soon enough, we were holding on tight to the railings as we twisted, turned, and jumped over the waves at speeds of up to 30 knots (35mph). There was plenty of whooping and screaming as the group reacted to the various stunts. Sitting by the port side of the boat, I did get a little wet from the spray, but I was well prepared in a raincoat and it was all part of the fun. As we raced towards Canary Wharf, there were times I couldn’t even see the skyscrapers as the bow rode up in front of us as we leaped over the waves. The side turns were particularly hair-raising and certainly showed our skipper’s impressive skills at the wheel. Read the rest of this entry
London is one of the oldest and most iconic cities in the world. While there are – admittedly very few – pieces of Roman London left, the capital is full of architecture from across the centuries – an amalgamation of old and new. When tourists visit London, they tend to head to the older parts of the city, such as the Tower of London or Buckingham Palace. When it comes to newer additions to the capital, it can take a while for us Londoners to embrace them. Even several decades later, many still hate the Brutalist architecture on the South Bank, while others have slowly grown to love it.
One of London’s newest landmarks is the Millennium Bridge – the steel suspension footbridge spanning the River Thames, linking the Tate Modern to St Paul’s Cathedral. The bridge was one of three structures built in the capital to commemorate the Millennium – along with the London Eye and Millennium Dome (best known now as the O2 Arena). Unfortunately, both the Eye and Bridge fell prey to technical issues and ended up opening later than planned, which I remember was quite embarrassing for us Londoners at the time.
The bridge was the result of a competition in 1996, with Arup, Foster and Partners and Sir Anthony Caro submitting the winning design. Construction on the Millennium Bridge started in late 1998. The bridge is comprised of three sections, 4 metres wide and 325 metre long. The structure includes eight suspension cables tensioned to pull a force of 2,000 tons. The north and south part of the bridges feature slopes, rather than stairs, meaning it is accessible for everyone.
The bridge finally opened on 10 June 2000 – two months later than scheduled and £2.2million over budget, bringing the total cost to £18.2million. However, two days later it was closed after the bridge began to sway while people were crossing it. This instability lead to the public and media dubbing it the ‘wibbly wobbly bridge’ – which has stuck as a nickname for many Londoners. Finally, the bridge was re-opened on 22 February 2002 after a £5million operation to fix the structure in place. Nearly 12 years later, it appears the Millennium Bridge is very much secure and has yet to ‘wibble wobble’ again.
For the history of London Bridge, click here.
For a post on another Millennium landmark, the London Eye, click here.
To read about the history of the so-called ‘Christopher Wren House’ beside the Tate Modern, click here
Tonight I was out in the City of London for dinner and a spot of theatre. I’ve heard about the roof terrace at One New Change and popped up in the lift to the sixth floor to check it out. Although the sky was overcast, it was a lovely view of St Paul’s, The Shard, Oxo Tower and more. However, a few hours later, once the ‘sun’ (cough cough) had gone down, we were passing One New Change on our way home so couldn’t resist popping back up to the terrace for another perspective at night. Bizarrely, thanks to what I assume was a combination of low cloud cover and the powerful lights on St Paul’s, there was actually a silhouette, shadow of the iconic dome on the sky. I must confess it was very strange, and slightly eerie and I’m glad I had my proper camera on me to capture the shot.
The word ‘hero’ can often be overused, for example as an alternative for describing someone you love or a favourite celebrity. When we come to think of true heroes, this summer we have may used the word (quite rightly) to describe the Olympians and Paralympians who performed feats we could never have dreamed possible. Then of course, there are the staff of the emergency services and Armed Forces, who put their lives on the line for others on a daily basis.
Sadly, not every hero gets the chance to revel in their glory as many have lost their life in the act of trying to save someone. While newspapers can pay tribute for only one day, one Victorian gentleman made sure the heroes in his lifetime were given a lasting, public memorial.
Those who work in the City of London may well have passed by Postman’s Park, a quaint park sandwiched in between the modern concrete buildings that stand on King Edward Street and St Martin Le Grand. Although relatively small, it’s actually one of the largest parks in the City of London. Situated just north of St Paul’s tube station, the head office of the General Post Office (GPO) used to stand nearby, hence the name Postman’s Park.
The park is essentially the former burial ground for the Grade I-listed St Botolph’s Aldersgate Church (which still stands in the park grounds) and the former Christ Church Greyfriars (which was largely destroyed by bombs in World War II) nearby, with old grave stones lined up against the modern buildings bordering the park. In the North corner of the park stands George Frederic Watts’ Memorial to Heroic Self-Sacrifice – the main reason I come to the park. As I have never worked in the City, I hadn’t heard of the park until I read the Audrey Niffenegger novel Her Fearful Symmetry last year, which featured some of the characters visiting Postman’s Park. I thought it sounded intriguing and was pleased to read it was real when I Googled it. The park also appears in opening sequence of the 2004 film Closer, with Natalie Portman’s character Jane adopting the pseudonym Alice after reading one of the plaques dedicated to one Alice Ayres, who died saving children from a house fire in 1885.
The main draw is a Victorian memorial to people who have died in heroic circumstances. Under a wooden loggia stand rows of ceramic tiles depicting names, dates and details of the tragedies. Victorian painter George Frederic Watts (1817-1904) proposed the idea in 1887 to commemorate Queen Victoria‘s Golden Jubilee, but it wasn’t unveiled until 1900. Although it had place for up to 120 plaques, only four were in place at the opening. When Watts died in 1904, his widow Mary (1849-1938) pledged to continue what her husband started and added more tiles.
Visitors to the Memorial will notice a big difference between the two styles of tile. The earlier style was designed by Watts’ associate William De Morgan and included handwritten tributes and flaming torches, while the latter was by manufacturer Royal Doulton and included purple flowers. Although Mary hoped to fill in all 120 spaces, she eventually had to withdraw from the project in 1910 due to other interests.
Over the years, the memorial wasn’t expanded, despite the empty spaces. Today, the memorial mostly reads tragic stories of children and adults who died in circumstances that may well have been common in Victorian Britain. The only modern addition is a tile dedicated to Leigh Pitt, a print technician from Surrey, who died saving a young boy from the canal in Thamesmead, south-east London, in 2007.
For more of Metro Girl’s history posts, click here.