Fool Britannia. Brick Hall @ The Vaults. Vault Festival 2019.
One of the opening shows at this year’s Vault Festival was Fool Britannia. The two-man show is the brainchild of Dan Lees and Neil Frost, with the premise being an insight to Britain’s worst school. Lees and Frost’s company Mad Etiquette are famed for putting on shows combining modern clowning and interactive performances.
Arriving at the Brick Hall venue within the Vaults below Waterloo, we were a little worried when we were placed in the second row. When it comes to comedy and immersive theatre, I (like many others) prefer to stay far away from the accessible seating to the cast as possible over fears of being singled out. Fortunately, we needn’t have worried as the interactivity was at a perfectly comfortable level.
After a build up of some suitable school-esque music, such as Pink Floyd’s Another Brick In The Wall, we were introduced to Lees, wearing a gown and mortar board as the headmaster of the so-called worst school. His beginning of term address eased us in to the humour style with some throwaway comments about some rather dodgy goings on in school, suggesting the headmaster wasn’t so professional as you would hope. His co-star Frost soon joined him on stage as a meek and terrified supply teacher, who we were invited to throw plastic balls at. The physical comedy continued as we were taken on a haphazard story through Britain’s history, with caveman being nonsensical, Hadrian getting dismal dating advice from his builder and Vikings rowing their boats. A scene educating us about Shakespeare and the snobbery around his plays was particularly funny.
During the history segments, the show felt like a series of sketches. I really liked their choice of handmade props, which really added to the silliness. As the one-hour show progressed, the audience had really got caught up in the silliness of it all and were drawn in at times to become a part of the narrative. It took me a while to warm up to the humour style, but by the end I was laughing along at the whole ridiculousness of it all.
- Vault Festival 2019 takes place from 23 January – 17 March 2019. The Vaults, 10 Leake Street, Waterloo, SE1 7NN. Nearest station: Waterloo and Lambeth North. Other venues include Network Theatre, Travelling Through…, The Horse & Stables and Unit 9. For booking, visit the Vault Festival website. For more information on Mad Etiquette, visit their website.
For Metro Girl’s top shows to watch at this year’s Vault Festival, click here.
For a guide to what’s on in London in February, click here.
Churchill Theatre, Bromley
Numbered Days is a new award-winning play from Ryan Leder in his professional playwriting debut. The touring production, which ended its current run at Bromley on 20 April, is an intimate and intense modern romance about two young women struggling with their long-distance love.
Upon entering the theatre, the audience is immediately brought into the action. Oncology student Rebecca (Georgie Cunningham) is anxiously hanging around her bedroom, obviously waiting for someone or something, as we sit down and wait for the lights to dim. The front row is just inches away from Rebecca’s bed, bringing the audience in an awkwardly close intimacy with the main character’s private life.
Rebecca is in a long-distance, transatlantic romance with Irish student Charlotte (Joy Carleton), who has abandoned the Emerald Isle to live Stateside. It soon becomes apparent the pair have never met in person, but have been getting to know each other emotionally and sexually over Skype for some time. Despite their familiarity with each other, there are moments where it’s clear the pair still have a lot to learn about each other. Carefree and confident Charlotte sometimes struggles with Rebecca’s reluctance and insecurity and the looming, never-seen spectre of an over-bearing mother.
Most of the action takes place in Rebecca’s bedroom, with Charlotte projected on a mounted flat-screen television as the couple’s relationship progresses through video calls. There are quiet moments where the action slows and Rebecca is left alone in her thoughts, which really demonstrates the isolation and reality of living so far away from your partner. The scene changes were cleverly accompanied by voiceovers of real-life long-distance lovers talking about their experiences.
Leder’s engaging script really conveyed the intensity and uncertainty of long-distance romance. Cunningham and Carleton put on strong performances and gave honest and realistic portrayals of an inexperienced and awkward burgeoning couple. Despite being a story about a same-sex relationship, their sexuality isn’t the focus of the story and their rollercoaster journey reflects many young relationship experiences. Having had a long-distance relationship myself in the past, I certainly recognised the difficult dynamics of rarely seeing your lover. Cunningham’s emotional speech at the climax of the show really rode home the heart-breaking difficulties of the process. Although I didn’t hold out much hope for Charlotte and Rebecca as a long-term couple, there’s no denying their partnership would be an important and life-changing emotional landmark for the characters whatever the future may hold.
- The Spring tour for Numbered Days is now finished. Follow Theatre In Black on Facebook or Twitter to keep up to date with their future productions.
One of the headline shows at this year’s Vault Festival is Neverland, an immersive theatre musical experience. Following its successful debut in Sheffield last year, the production has an eight-week run at the atmospheric tunnels below Waterloo station. The show is from The Guild of Misrule, the company behind the hit Great Gatsby Musical from last year’s festival. Arriving at The Vaults from the Leake Street tunnel, you follow the neon lights to reach Neverland at the end. As with many immersive theatre productions, you need to let down your guard and embrace the madness, preparing to take on a character or revert to childhood. For Neverland, be prepared to do both.
Upon entering, audience members are greeted by some of the Lost Boys and the Llewelyn Davies family, who quiz you with childlike wonder with innocent questions and Edwardian references. My friend, who works online, completely confused Michael Llewelyn Davies (Casey Jay Andrews) by trying to explain the internet and Google. The premise is the story of author JM Barrie’s (Dominic Allen) relationship with the Llewelyn Davies family, who inspired the characters of Peter Pan. There are many elements of the Pan storyline interwoven with how Barrie came up with the plot as we jump from Edwardian Kensington to Neverland to WWI. Read the rest of this entry
Vault Festival 2018: Comedy, theatre and immersive experiences as London’s biggest arts festival returns
Returning to the tunnels underneath Waterloo this winter is one of the country’s biggest arts festivals. Now its in sixth year, the Vault Festival features over 300 shows over eight weeks. Expect a jam-packed schedule of comedy, film, circus, musicals, theatre, immersive experiences and late-night parties. As well taking over the atmospheric and historic tunnels, the festival is also expanding to satellite venues such as Waterloo East Theatre and Network Theatre. Expect to see homegrown and international talent, with a spotlight on names to watch at the Vault New Writers Award.
One of this year’s big shows is Neverland, an immersive musical adaptation of J.M. Barrie’s classic tale. Guests will come face-to-face with glittering pirates, mermaids, food fights, absinthe bars and live music from a band of lost boys. If immersive experiences floats your boat, there is also Caravan, a journey through hip-hop dance, or Lamplighters, an improvised spy story in the style of John Le Carre.
If you want to be amazed, there’s plenty of mind-blowing circus acts, including the Chivaree Circus’ award-winning re-imagining of the Persephone myth, Becoming Shades. Explore hypnotism with David Aula and Simon Evans in their show The Vanishing Mankind, or be wowed by the brilliant Madhi The Magician, who was born without hands or feet. There will also be a busy comedy schedule, with Joe Lycett, Bridget Christie, Richard Gadd, Phil Wang and Adam Riches, Mat Ewins, Graham Dickson and Joe Sutherland aiming to tickle your funny bone.
The Vault Festival promises to showcase some of the best female and BAME talent, with over 52 per cent of shows written or directed by women. Fringe First winner Katie Bonna explores gender conditioning in Paper Scissors Stone, while Edinburgh hit Glitter Punch deals with student/teacher relationship boundaries. Nicole Acquah examines racism in the UK in her powerful piece For a Black Girl, while round-table discussions on gender equality will also be providing food for thought.
Among the late-night parties at the weekends, includes Mardi Gras, Valentine’s Ball, St Patrick’s Day, the South London Soul Train and the opening and closing bashes. As well as all the entertainment, there will be plenty of options to keep you fed and watered with intimate themed bars and street food stalls.
- The Vault Festival runs from 24 January – 18 March 2018 and takes place at The Vaults, Leake Street, Waterloo, SE1 7NN; Network Theatre, 246a Lower Road, SE1 8SJ and Waterloo East Theatre, Brad Street, SE1 8TN. Nearest stations: Waterloo or Lambeth North. For more information and tickets, visit the Vault Festival website.
Read Metro Girl’s review of Neverland at The Vaults.
To find out what else is on in March, click here.
Arriving for Beauty and the Feast at The Vaults underneath Waterloo station, we weren’t quite sure what to expect. The show had been billed as a pantomime and dinner experience, which gave a hint of things to come. I’ve been to The Vaults quite a few times and love the venue for its versatility. We entered from the Leake Street tunnel entrance and the fairy tale vibe started immediately as we walked through the ‘magic mirror’ to the bar area. The bar was like a theatre set, with a melange of vintage furniture, old theatre seating, a disco ball, neon signs and drapes. We were one of the early arrivals so grabbed a suitably fantastically named cocktail to set the tone for the evening. As the bar got busier, a few characters mingled with the audience, breaking the ‘fourth wall’ as we enjoyed a chat with Fairy Liquid, the compere of the evening.
With everyone suitably loosened up with a couple of drinks, Fairy Liquid set up the evening’s agenda, with the panto itself loosely based on Beauty And The Beast. It isn’t long before the ‘Beauty’, aka Belle, arrives, in full Georgian drag splendour. Moving on to the dining room, the set design is amazing and really transports us to an 18th century French château with drapes and chandeliers. It’s a buffet, supper club setting so be prepared to make new acquaintances over your meal. The feast itself is very fairy tale like, featuring roast pumpkins, cauliflower cheese, plump sausages and blue cheesecake, followed by a ginger jelly and coconut ice cream dessert served in a tea cups [no chipped china ;-)] with mushroom-shaped meringues.
In between courses, we were treated to interludes of performance, with Belle and the Beast avoiding each other like the plague to the chagrin of Fairy Liquid, who is intent on getting them together with the encouragement of the audience. The climax of the feast gives us the happy ending we expect with the night getting suitably raucous with pop anthems, dancing on the table and some striptease. By this point, the audience were suitably tipsy and had really embraced the camp and spectacle of the event. With the cheesy soundtrack and constant flow of alcohol, it’s no surprise the evening ends on rather higher spirits than you would expect from a typical theatre experience. If you like immersive experiences with a high dose of booze, music and fabulousness, then check out Beauty and the Feast while it’s still on.
- Beauty And The Feast is on from 6 October 2017 – 4 January 2018 at The Vaults (entrance via Leake Street tunnel), Launcelot Street, Waterloo, SE1 7AD. Nearest station: Waterloo. Shows run from Tues-Sun. Door open 6.30pm, Show starts 7.30pm. Age 16+. Tickets start from £35 (includes dinner, dessert and DJs). For booking, visit The Vaults website.
For the latest what’s on in London guide, click here.
If you’re a fan of vintage or would love to time-travel, this new immersive experience could be right up your street. This December, revellers will have the chance to journey back to World War II with live music, adventures, cocktails and more.
‘Home Front: Immersive Time Travel’ will explore the untold stories from the 1940s, from the often ignored perspective of women, homosexuals and colonial soldiers. Upon arrival, guests will be asked a question and their answer can bring them in nine different directions. Follow your own story as you fight to get out of escape rooms, enjoy intimate performances and are forced to make a decision about your character’s future. Once your journey is completed, you’ll find out who your character was and their decision. The characters are based on real-life people, including a famous fighter pilot who lived openly as a homosexual, an Indian princess-turned-spy and other less well known London figures.
Time travellers will also be entertained with a live swing band and drinks from five separately themed bars. Guests’ entrance time will be staggered, with a range of ticket packages on sale.
- Home Front: Immersive Time Travel takes place on 2 December 2017 at a secret east London location. 5.15pm-10.30pm. Tickets start from £25. For booking, visit DesignMyNight.
For the latest what’s on in London guide, click here.
Returning to Waterloo this winter is the biggest Vault Festival to date. Now in its fifth year, the six-week long fringe event will be expanding to two further local venues in addition to its home beneath Waterloo station. There’s something for everyone with music, theatre, film, comedy, parties, food, drinking and more.
Among the highlights of the festival, will be the chance to step into Jay Gatsby’s world in an immersive theatrical experience of The Great Gatsby. Meanwhile, Superbolt Theatre return to the Vault Festival with two productions; their 2016 hit The Jurassic Parks, a hilarious spin on Spielberg’s blockbuster, and Mars Actually, a physical and funny vision of life on the red planet.
Turning circus on its head is Becoming Shades, a reimagining of the myth of Persephone using live music, aerial acrobatics, fire, dance and mime. The thought-provoking Thought To Flesh is a theatrical investigation into motor neuron disease (MND) using spoken word, multi-media and movement interpretation.
Meanwhile, movie fans will be able to enjoy the Vault’s Film Festival, featuring 20 different screenings. Among the premiers include dark_net staring Johnny Vegas and Love Comes Later, starring Sarita Choudhury (Homeland). There will also be a special screening of Red from award-winning director Branko Tomovic, a crime thriller about illegal backstreet surgery.
For party animals, the Vaults will be hosting late-night revelry every weekend, including the Galactic Love Valentine’s Ball, Fat Tuesday (Mardi Gras), The Nudge’s Great Gatsby Party, as well as the festival’s opening and closing parties presented by Time Out London.
Aside from the entertainment, there are plenty of opportunities for drinking and eating. The Balkano Kitchen will be serving dishes inspired by chef Martin H Shaw’s travels in Eastern Europe. There will be five bars across the three venues, with two themed bars presented in collaboration with Meantime beer and Campari. One of the more intriguing drinking spots will be The Neath, an immersive, subterranean members bar for the supernatural produced and curated by the team behind The Crystal Maze.
- The Vaults Festival takes place from 25 January – 5 March 2017 at The Vaults, Leake Street, Waterloo, SE1 7NN and Network Theatre, 246a Lower Road, Waterloo, SE1 8SJ. Nearest station: Waterloo. Shows will also be on at Morley College, 61 Westminster Bridge Road, SE1 7HT. Nearest station: Lambeth North (open from mid-Feb). For more information and tickets, visit The Vault Festival website.
For a guide to what else is on in March, click here.
Decades before the likes of Westfield and Brent Cross came to London, those who wanted to shop in comfort headed to one of the capital’s arcades. Like the mega malls of today, these arcades featured numerous shops under one roof, providing a sheltered retail experience whatever the weather. However, as well laid out as these modern fashion meccas are, they just can’t compare to the historic and upmarket designs of the late Georgian, Victorian and Edwardian periods. As part of Metro Girl’s series on the five historic arcades of Mayfair and St James, Part 2 will be focusing on where it all began; the Royal Opera Arcade – the oldest arcade in the world.
Now you could well be confused wondering why the Royal Opera Arcade is over a kilometre away from the Royal Opera House in Covent Garden. Well the current opera house has only been in its current location since 1847. The current Her Majesty’s Theatre on Haymarket is the fourth theatre to stand on the site and has experienced numerous name changes throughout history. Throughout the 18th and early 19th century, the theatre was renowned as the place in London to see opera and ballet. However, in 1846, Michael Costa (1808-1884), conductor at Her Majesty’s, had a dispute with the owners and switched allegiance to the Theatre Royal, Covent Garden, bringing most of the company with him. Theatre Royal, Covent Garden was then renamed the Italian Opera House, eventually becoming the Royal Opera House in 1892.
The Royal Opera Arcade was conceived as an add-on to the second theatre to stand on the site – the King’s Theatre. The original King’s Theatre burned down in 1789 and replaced by a new building in 1791, designed by Michael Novosielski (1747–1795), an architect and former scene painter. When it opened, it was the largest theatre in the country. However, as the 19th century progressed, the theatre was in need of improvement. Regency architect John Nash (1752-1835) and his assistant George Stanley Repton (d.1858) altered the façade of the theatre and increased the capacity of the auditorium to 2,500 in 1816-1818. To the west of the theatre, they added the Royal Opera Arcade. Nash is also famous for designing Buckingham Palace, Clarence House, Brighton’s Royal Pavilion, Carlton House Terrace and many others.
This year marks 100 years since the birth of Roald Dahl. And what better way to pay tribute to the legendary children’s author than by bringing two of his most memorable characters to life. Coming to London this autumn is gruesome, immersive theatrical dining experience Dinners At The Twits.
Located deep in The Vaults below Waterloo train station, guests will be treated to 90 minutes of entertainment from the worst hosts ever. Les Enfants Terribles, the company behind last year’s immersive hit show Alice’s Adventures Underground, have teamed up with real-life Willy Wonkas, food and drink wizards Bompas & Parr to create a unique evening experience.
Upon arrival, diners will be greeted with a potent cocktail using ingredients from Mr Twit’s garden. Chose between The Terrible Shrinks (Roly Poly Bird berry and orange vodka topped with soda, garnished with a scented helium balloon) or The Twits Garden Spritz (wild nettle and thistle-infused Aperol, wild strawberry vermouth, prosecco and soda, garnished with nettles and thistles).
Guests will then take their seats with Mr and Mrs Twit at their chaotic table for a special menu conceived by Bompas & Parr. The banquet will include Wormery LIVE, Glowing Hug Tight Glue, Treasures of the Compost Heap, Bird Pie – Your Night of a Thousand Claws and Bloater Paste. To finish, you can chomp on Mr Twit’s Beardy Bar, special chocolates created specially for Dinner At The Twits. Chocolatiers Rococo Chocolates have conceived a wonderous mix of their own milk chocolate with cereal, banana, yoghurt, lapsang souchong tea and honey.
Meanwhile, you’ll be able to wash it down with half a bottle of bag-in-box wine from St. John Wines and Mr Twit’s Odious Ale – a bespoke brew by East London’s 40FT Brewery using the native yeast from Roald Dahl’s actual writing chair.
After the theatrical dinner, guests are invited to relax in the Muggle-Wumps’ Downside Up Cocktail Cavern in The Vaults for deliciously bizarre concoctions. The Cocktail Cavern will be open to all, so members of the public too scared to experience the gruesome meal can enjoy a flavour of The Twits’ world.
- Dinner At The Twits runs from 4 September – 30 October 2016. The Vaults, Launcelot Street (off Lower Marsh), Waterloo, SE1 7AD. Nearest station: Waterloo. Minimum age 14+. Tickets: £80-£110 (feature a 90 minute show, arrival cocktail, banquet with wine, box of chocolates and hot beverage). Timings: Tues-Sat evenings: 6pm, 7.15pm and 8.30pm, Sat matinees: 12pm, 1.15pm and 2.30pm . Sundays 12pm, 1.15pm, 2.30pm and 3.45pm. For booking, visit The Twits dinner website.
- The Muggle-Wumps’ Downside Up Cocktail Cavern is open to the general public from 6pm-late Tues-Sat and has free entry.
To find out what is on in London in September, click here.
Bedtime stories, frantic fans and drag superstars push the boundaries of theatre at LIFT Festival 2016
Returning to London this summer is the LIFT Festival, a month-long celebration and exploration of innovative theatre from around the world. During the month-long festival, over 30 events featuring work from 14 countries will take place at venues across London, from the Barbican to an East End cemetery.
LIFT has been a pioneer in pushing the boundaries of theatre since its inception in 1981 and this year promises to be its most exciting yet. As well as home-grown talent, there will also be work from 14 countries, including Argentina, Belgium, Greece, Poland, Canada, Japan, Australia, the USA, Lebanon and Syria.
Among the wide variety of entertainment will be wild Japanese pop fans, a circus in a cemetery, refugees, ancient Greeks and teenagers with attitude. Meanwhile, venues include Hackney Empire, Hoxton Hall, British Library, Royal Court Theatre, Southbank Centre, Barbican, Shoreditch Town Hall, Sadler’s Wells, Tower Hamlets Cemetery Park, Battersea Arts Centre and many more.
Kicking off this year’s festival will be American shaman, singer-songwriter, social critic and performance artist extraordinaire Taylor Mac with a fabulous romp through the great American songbook. Meanwhile, from Argentina, ‘Everything By My Side’ is an intimate, playful performance which invites you to slip between the sheets of a stranger’s bed and listen to a childhood tale. Jump into an immersive festival experience with ‘Miss Revolutionary Idol Berserker’, where the audience are encouraged to wear ponchos and ear plugs during a frenzied homage to otagei, (ritualised Japanese dancing and chanting by groups of fans).
Speaking about this year’s festival, LIFT Artistic Director Mark Ball said: ‘Does art help us belong? I have met pioneering artists and performers from around the world who connect to the astonishing range of international communities that make up London, and, asking that very question, have made a Festival that investigates how this amazing mix of people adds up to the London I love. The cultural influences and radical imaginations of our festival artists result in enthralling and joyful work that will be seen in spaces and venues that take us into the guts of the city – so make your own playlist and join us at LIFT 2016.’
- Lift Festival 2016 takes place from 1 June – 2 July 2016. Ticket prices vary. For more information, visit the LIFT Festival website.
For a guide to what else is on in London in June, click here.