This gallery contains 7 photos.
‘Where Light Falls’ commemorated the brave Londoners who protected St Paul’s during the Blitz.
This gallery contains 7 photos.
‘Where Light Falls’ commemorated the brave Londoners who protected St Paul’s during the Blitz.
When it comes to London’s royal palaces, most of them tend to be rather young, with the oldest parts of Buckingham Palace dating back to 1703 and Clarence House, a few years shy of its 200th anniversary. However, long before the monarch resided at Buck House, the King or Queen had a home in the huge Palace Of Westminster. Today, the title belongs to the Houses of Parliament, the seat of our Government.
Most of the Medieval Palace of Westminster was destroyed by a huge fire in the 1800s, to be rebuilt as the iconic masterpiece, which remains today. However, two buildings managed to survive, the 11th century Westminster Hall, and the 14th century Jewel Tower. Now owned by English Heritage, the diminutive Jewel Tower is open to the public. Recently, I paid a visit to this small, but interesting piece of Medieval London. It’s a small space with the exhibition taking about an hour to see.
The Jewel Tower was built around 1365-6 at the southern end of the Palace of Westminster to house the treasures of King Edward III (1312-1377). The Tower stood at the end of the garden and was protected by a moat to the south and west of the building. It was built under the direction of master mason Henry Yevele (1320-1400) and master carpenter Hugh Herland (1330-1411) on land which had been appropriated from Westminster Abbey, to the chagrin of the monks. The keeper would have worked on the ground or first floor, logging the King’s treasures coming in and going out of the Tower. The most valuable goods were kept on the second floor.
For 150 years, the Tower was used to house the subsequent Kings’ treasures until a fire at the palace in 1512. The building then became home to less valuable items, such as clothing, bed linen, furniture and royal children’s toys, according to an inventory in 1547. In 1600, the building was repurposed for the Government, rather than royals, when it became a parliamentary office. A three-storey timber extension was added to the side of the Tower as a house for the Clerk of the Parliament. The ground floor of the Jewel Tower became the kitchen and scullery, while the first floor was used as a repository for various parliament documents. In 1621, the building was renovated to become more secure to protect the important documents. On the first floor, a brick vault was added with a metal door featuring the year inscribed on the exterior and the cipher of King James I (1566-1625). That very door still exists today and can be seen on your visit.
By the 18th century, the Tower was apparently a bit of a state so work was taken to renovate and improve it. Larger windows and a new chimney were added, while the building was made more fireproof to protect the documents inside. Throughout the century, the Tower was gradually hidden by the buildings popping up around it. By 1827, the House of Lords’ records had been moved out of the Tower because it was too small and it was known as part of Old Palace Yard, with the name Jewel Tower dropping out of use. Read the rest of this entry
Decades before the likes of Westfield and Brent Cross came to London, those who wanted to shop in comfort headed to one of the capital’s arcades. Like the mega malls of today, these arcades featured numerous shops under one roof, providing a sheltered retail experience whatever the weather. However, as well laid out as these modern fashion meccas are, they just can’t compare to the historic and upmarket designs of the late Georgian, Victorian and Edwardian periods. As part of Metro Girl’s series on the five historic arcades of Mayfair and St James, Part 4 will be focusing on the Edwardian of the quintet – the Piccadilly Arcade.
At the dawn of the 20th century, the St James area was a hangout for the capital’s gentry and royals with a host of gentlemen’s shops and businesses catering for the upper classes. St James’s Palace was in the area, as well as prestigious members’ clubs, such as The Athenaeum and The Carlton Club. Swiss hotelier César Ritz (1850-1918) had opened his ground-breaking Ritz Hotel on Piccadilly in 1906. Following the death of Queen Victoria (1819-1901) and the ascension of King Edward VII (1841-1910), the country was changing, with styles of fashion and architecture evolving into less gloomy and simpler designs.
When it came to London’s shopping arcades, by the early 20th century, it had been a while since any new ones had been built. The Royal Opera and Burlington Arcades were over eight decades old at this point, while the Lowther Arcade was demolished in 1904 after standing on The Strand for over 70 years. In 1909, work started on a new shopping mecca – the Piccadilly Arcade. The Edwardian arcade linked Piccadilly and Jermyn Street – famous as London’s retail destination for well-dressed gentlemen. Architect George Thrale Jell of Waterloo Place was brought in to design it. Throughout his career, Jell was a popular architect for retailers, having designed several stores in Oxford Street, including the Hanan-Gingell shoe shop in 1908 (now home to branches of Fossil watches and Sunglasses Hut), flats in Bury Street and converted the Georgian building, 138 Park Lane into offices and flats in the late 1920s.
The arcade was constructed by builders Messrs. Leslie and Co. of Kensington Square in 1910. The ground-floor arcade featured 28 shops, while the remaining upper floors were used as offices and chambers. The façade of the building is made of Portland stone and features four columns supporting a architrave with the words ‘Piccadilly Arcade’. Above, a wide wrought iron balcony spans the five windows of the 2nd floor, with further storeys of windows and smaller balconies above. The fifth floor features another wide balcony, while dormer windows stand out on the 6th floor slated roof. The upper storeys were converted into the Felix Hotel in 1915, but is now called Empire House and is mostly offices.
Among the first businesses to open in the arcade were the shirtmakers Budd, who are still trading today over a century later. Harold Budd established his shirt shop at No.4 in 1910, which was set over three floors. Meanwhile, tailors Hawes & Curtis, founded by Ralph Hawes and George Frederick Curtis, opened their first store at No.24 in February 1913. Over one hundred years later, they now have over 20 stores in the UK.
The Piccadilly Arcade traded in peace for 20 years before World War II brought death and destruction to the streets of London. At 3.10am on 17 April 1941, the Jermyn Street end of the building was severely damaged by a 2,200lb parachute bomb. Twenty three people were killed, including the 1930s singer Al Bowlly (1898-1941), who lived on the corner of Jermyn Street. The Dunhill store on the corner of Jermyn Street took a direct hit, while Fortnum & Mason and the Cavendish Hotel were also damaged. Budd’s shop at No.4 in the arcade was burnt down so Harold Budd swiftly purchased the remaining leases on the only two intact stores in the arcade; 1A and 3, where Budd remains trading today. The Piccadilly Arcade was gradually restored, with work finishing in 1957.
Today, the Piccadilly Arcade is home to tailors, shirtmakers, shoe shops, jewellers, hairdressers, womenswear, pharmacy and mustard and vinegar makers. Meanwhile, those who enter or exit through the Arcade’s south entrance of Jermyn Street will be greeted by Irena Sedlecká’s sculpture of Beau Brummell (1778-1840), a Regency dandy who was famous for his dress sense.
‘Shopping In Style’ is a series of blog posts on the history of London’s oldest shopping arcades. Read Part 1 on the Burlington Arcade here, Part 2 on the Royal Opera Arcade here, Part 3 on the Royal Arcade here, or Part 5 on the Prince Arcade, click here.
For more of Metro Girl’s history posts, click here.
Last month, I was fortunate enough to have a peek of one of London’s secret subterranean treasures. As part of their Hidden London series, the London Transport Museum were running tours to visit the Clapham South Deep-Level Shelter, one of the only purpose-built World War II shelters that is still accessible to the public, albeit rarely.
Following the outbreak of World War II and the subsequent Blitz, many Londoners were using tube stations as shelters from the Nazi bombing. However, many civilians were concerned the stations weren’t adequate protection, which was confirmed in October 1940 when a bomb hit the road above the north end of Balham underground station. Water from the burst sewers above and earth filled the southbound tunnel, killing 66 people who were sheltering there at the time. Three months later, a further 111 civilians were killed when a bomb hit Bank station.
The same month of the Balham disaster, the Government started making plans to build deep-level shelter accommodation for 100,000 people. Having lots of experience of building underground, it made sense for the Government to enlist London Transport to co-ordinate the project within the swiftest time possible. With Londoners frequently dying in bomb attacks by the Nazis, time was of the essence. It was decided it would be easiest and quickest to create shelters below existing tube stations, specifically the Northern and Central lines. Originally the plan was for 10 shelters to be built, however ones at St Paul’s and Oval were abandoned during construction due to concerns over being too close to the Cathedral and unsatisfactory ground quality respectively.
Construction – by hand – began on the tunnels in 1941, with final eight complete in 1942. Situated 30 metres (just under 100 foot) below ground level, the tunnels were built from either end using two vertical shafts. When they were complete, each shelter consisted of two parallel tunnels around 400 metres long divided into upper and lower floors. The tunnels at Clapham South were divided further into 16 sub-shelters with each named alphabetically after a senior British naval officer. The sub-shelters at Clapham South were named Anson, Beatty, Collingwood, Drake, Evans, Freemantle, Grenville, Hardy, Inglefield, Jelicoe, Kepple, Ley, Madden, Nelson, Oldam and Party. Each sub-shelter featured triple-tier bunk beds and some wider bunks for mothers with young children, bringing the total number of bunks to 7,952.
By the time the shelters were ready for action so to speak, the Nazi bombing campaign on Britain had eased off. The Government ended up letting the American military use half of the Goodge Street shelter. By June 1944, Hitler’s armies had set their sights on destroying London again – albeit this time with V-1 flying bombs, followed by V-2 later that year. Finally, the shelters could be used for the purpose they were intended for.
I’m always on a lookout for a bar with a difference and unlike the other themed drinking establishments in the capital, Soho‘s newest nightspot celebrates one of my favourite things – London itself. Playing up to the building’s history as a former World War II shelter, Cahoots is an underground basement bar which takes guests back in time to the 1940s. Located in Soho, Cahoots has been styled as an abandoned underground station in post-war London, where those in the know come to party.
I was lucky enough to be invited to the bar’s launch party recently as the premise really excited me. My blogging name is Metro Girl… the bar is underground themed.. surely it’s got to be a match made in heaven? The bar’s entrance is subtle from the street, but once entering and heading down the wooden escalator-style steps (which prompted flashback to riding the tube as a child in the ’80s) we were greeted by a doorman (who in character and in a rather spiffing accent, old chum), told us the station was ‘closed’. We played up to it and said ‘we had an appointment’ and were shown the way in. The interior of the bar is pretty amazing – along with a recreated tube carriage (where we subsequently ended up sitting in most of the night), there were vintage-style signs from both the London Underground and the post-war years. Sandbags, bunting, and waiters dressed in vintage clothing furthering the vibe. We parked ourselves in the carriage with our drinks resting on an old suitcase which doubled as a table. The theme continued through to the toilets, with 1940s street sound effects adding to the atmosphere.
The cocktail menu is extensive and unique, with influences from popular drinks from the 1940s, as well as unusual ingredients such as tea leaves, beetroot and Oxo cubes. Cocktails are served in a variety of vessels, such as tin cans, Thermos flasks and milk bottles, ranging from £7-£9. I tried quite a few cocktails, but my favourite was a ‘Vera Lynn’, a fruity gin concontion which came served in a lovely green china version of the wartime dame in her heyday. There’s also an impressive sharing cocktail for groups, the Tanqueray No.10 Station Clock, where you dish out your booze from a giant hollow clock.
As well as the interiors and cocktails, there is also great entertainment with swing bands and dancers performing on many evenings. We were encouraged to try a bit of dancing, but I politely declined over fears of making a fool of myself, but some fellow guests were game and did a good job. The music was a mix of jazz, swing and lindy-hop, so you really feel like you’ve stepped in a time machine. Although this may seem like an immersive experience, we enjoyed ourselves so much I could see Cahoots becoming a regular drinking den for me and my pals. For those looking for something a bit different for a night out, I can highly recommend Cahoots. As long as you’re looking for adventure and are open to embracing the strong theme, head underground. Just don’t tell everyone…
For more of Metro Girl’s bar and restaurant reviews, click here.
To read about Metro Girl’s visit to the disused tube station Aldwych, click here.
The name St Bride’s for a church off Fleet Street could not be more apt, because it plays an important role in today’s wedding culture. While the name of St Bride comes from St Bridgit or St Bride of Kildare – a druidic slave and daughter of an Irish prince, who was born in 453. She gave away so many of her father’s possessions, he eventually allowed her to follow her religious calling. She is marked by a feast day, when it is customary to donate to the poor and a cake is baked for her travels.
The current St Bride’s was built by Sir Christopher Wren (1633-1723) in 1672, one of the first he designed as the City of London was rebuilt following the Great Fire Of London. It is thought to be the seventh church to stand on the site since the 6th century, with the Great Fire potentially destroying one dating back to the 15th century. The previous church was where the famous diarist Samuel Pepys (1633-1703) was baptised in 1633 and was mentioned in his diary entries concerning the great fire. Although the main church was open for worship from 1674, the tower and steeple weren’t complete until 1703.
The steeple, consisting of four tiers, each diminishing in size the higher they are, was originally 234ft high, but lost 8ft in 1764 due to a lightning strike. After St Paul’s Cathedral, St Bride’s was Wren’s tallest church and was prominent on the London’s then-skyline.
At weddings, it is commonplace to expect a tiered cake as the centrepiece of the reception, with everyone grabbing their cameras or iPhones to capture the iconic cutting of the cake by the bride and groom. The dessert at weddings were originally a stack of cakes, then a bride’s pie, before the bride and groom had their own separate cakes. Just like the traditional colour of a bride’s wedding dress, the white icing was meant to symbolise purity.
However, it was pastry chef William Rich (1755-1812), who lived on Ludgate Hill in late 18th century London, who was said to be responsible for the tiered wedding cake we know today. Living a stone’s throw from St Bride’s on Fleet Street, he found inspiration for making a cake for his own marriage to Susannah Prichard in 1776 by looking at the tiered steeple.
Amazingly, the steeple survived World War II, despite the actual church being fire bombed by the Luftwaffe on 29 December 1940 (the same night Wren’s Christ Church Greyfriars was bombed – with only the steeple surviving again). By now, the church had been embraced by the journalists and editors of Fleet Street, who financially contributed to the church’s rebuilding in the Fifties, with the building being Grade I listed in 1950. Despite the damage, the bombing did uncover the 6th century foundations of an earlier Saxon church on the site, which can be visited on tours.
For other posts on Sir Christopher Wren’s life and buildings read…
For more of Metro Girl’s blog posts on London history, click here.
Many thanks to the talented proprietor of Ashley Jane Cakes – a caterer located in Lancs – for allowing me to use a photograph of one of her wedding cake designs.
The City of London was ravaged by bombs during World War II, with many iconic buildings and churches damaged or destroyed by the Nazis. Many of the churches created by Sir Christopher Wren (1632-1723) after the City was rebuilt following the Great Fire Of London in 1666 were again smouldering on the sites of their medieval predecessors.
Today, the City is a mish-mash of old and new, with what would have been some of the tallest buildings at the turn of the 20th century, now dwarfed by the likes of the Tower 42 and the Gherkin. Ruins of ancient buildings were cleared up or built over to create the metropolis of concrete and glass which dominates the City today.
However, just a stone’s throw away from St Paul’s tube station is a rare lasting monument to the damage of World War II. The ruins of Christ Church Greyfriars, now incorporating a rose garden, lie on the junction of King Edward Street and Newgate Street.
The site was originally a Franciscan monastery in the Middle Ages, with the name Greyfriars referring to the grey habits worn by the monks. Built in 1225, the friary stood for over 300 years. Throughout the centuries, several religious buildings were on site, with a Medieval church being built in the early 14th century. Amongst the notables buried in the church included King Edward I‘s (1239-1307) second wife Marguerite of France (1279-1318) and Edward II’s (1284-1327) widow Isabella of France (1295-1358).
Following the dissolution of the monasteries under King Henry VIII (1491-1547), the church was handed over to the Christ’s Hospital School, with pupils using it as their primary place of worship. However, like most of the City, the medieval church was destroyed in the Great Fire in 1666 and Wren was put in charge of the capital’s rebirth. Over the next few decades, Wren oversaw the building of 50 churches in the area, The Monument, and of course, his pièce de résistance, St Paul’s Cathedral. Wren’s team ended up using some of the Medieval church foundations to save time and money.
Wren’s Christ Church was completed in 1687 and comprised of a tower and steeple, with parishioners entering the nave from the west, which was smaller than the original medieval church. The stone walls included large windows letting in lots of light, with Corinthian columns separating the space into naves and aisles. The four corners of the roof featured carved pineapples, which were a symbol of welcome. As well as the pews on the ground, the building included two galleries for pupils (one of which being a young Samuel Taylor Coleridge) from nearby Christ’s Hospital School.
However, on 29 December 1940, a German firebomb crashed through the roof and nave. Amazingly, Wren’s tower and the four main walls remained standing. On the same night, Wren’s St Bride’s Church at Fleet Street was also bombed, again the steeple amazingly survived. However, with Britain bankrupted by the war, the decision was taken not to rebuild Greyfriars, although the ruins were designated Grade I listed. The East Wall was demolished in 1962 to allow the widening of King Edward Street, with only the North Wall standing today.
While the Tower has now been converted into private residences, the site of the actual church is now a rose garden, providing a bit of nature to city workers, although with busy Newgate alongside, not necessarily peace and quiet. Rose beds have been placed where the pews once were, while the ghosts of the Corinthian columns are represented by wooden frames.
Alternatively, if you walk further north along King Edward Street, on the right is an entrance to Postman’s Park, another little sanctuary in the City.
For other posts on Sir Christopher Wren’s life and buildings read…
To read Metro Girl’s other blog posts on London history, click here.