Discover the history and sights of Dulwich Village with this special walk.
Today, there is only a few ‘villages’ left in London. Back in the Georgian era and beyond, London as a city was significantly smaller and surrounded by many country villages. As London expanded during the Industrial Revolution, many of these districts got swallowed up by the growing capital. However, there are a few areas, such as Dulwich, Wimbledon and Highgate, left today which have retained their village charm.
One such place is Dulwich Village in south London, which dates back to at least the 10th century. I’ve lived nearby most of my life and am really fond of the village. Of course, the property prices are ridiculous and unattainable for most of us, but it’s a lovely place to visit, eat and drink in. The Dulwich Society have retained a tight control over planning so the likes of Tesco superstores and flashy developers haven’t ruined the village’s Georgian feel. Located just five miles from the centre of London, it’s surprisingly close to the capital and easy to get to with regular trains from London Bridge and London Victoria.
If you’ve ever fancied exploring Dulwich Village, why not try out my self-guided history walking tour with Routey.net. The company is a free online platform offering walking tours created by members of the travel community. My walking tour covers less than 2 miles and includes 18 stops. It can take a minimum of 90 minutes to up to 5 hours if you choose to stop at the Crown & Greyhound pub for lunch or dinner and visit an exhibition at the Dulwich Picture Gallery.
- Visit Routey.net for Metro Girl’s Dulwich Village history walking tour. Starting point: North Dulwich station (15 mins from London Bridge). End point: West Dulwich station (13 mins to London Victoria).
For more of Metro Girl’s history posts, click here.
Have you spotted the hidden ruins of Queen Caroline’s Georgian mansion?
When visitors come to Greenwich Park, they usually make a beeline for the Royal Observatory with its historic GMT line and stunning views. However, in the south-west corner of the park, there’s a fascinating piece of London’s royal history hidden behind a hedge. Situated just a metre from the park’s wall is the remains of Queen Caroline’s bathhouse.
Caroline Amelia Elizabeth, Princess of Brunswick (1768-1821), was born in Germany and was betrothed to her cousin, the future King George IV (1762-1830) in an arranged marriage. The pair wed at St James’s Palace in April 1795, with the heir-to-the-throne apparently drunk during the ceremony! Their coupling was a disaster and they separated shortly after the birth of their daughter Princess Charlotte (1796-1817). By the time their child was a year old, Princess Caroline was living in a separate house in Charlton, eventually moving a few miles away to Montagu House in Blackheath around 1797-1799.
Montagu House was built in the late 17th century for Ralph Montagu, 1st Duke of Montagu (1638-1709). His son John Montagu, 2nd Duke of Montagu (1690-1749) employed Ignatius Sancho (1729-1780) as a butler at the house for two years. Sancho was born on a slave ship, but gained his freedom and educated himself, partially with the books from the library at Montagu House. He went on to become an early prominent figure in the fight for the abolition of slavery and wrote many letters on the subject. Today, there is a plaque commemorating Sancho on what was the wall of Montagu House. The bathhouse is believed to be an addition added by Princess Caroline in the early 19th century. It was a structure of glass and light lattice, with an adjoining greenhouse. Bathhouses were trendy in Georgian times for improving health and entertaining guests. Surprisingly to us 21st century Brits, the Georgians usually wore their clothes while bathing.
Returning to Princess Caroline, by the time she moved into Montagu House she was being subjected to harsh custody arrangements over her daughter Charlotte. Under English law at the time, the father’s rights were considered more important than the mother’s, and partially out of hatred for his estranged wife, George made things incredibly difficult. Princess Caroline was only allowed to see her daughter in the presence of a nurse and governess, overnight stays were forbidden and she was banned from making any decisions about Charlotte’s care or education.
During her 15 years or so living at Montagu House, Princess Caroline was the target of some wild rumours. A sociable and confident woman, Charlotte hosted famously wild parties at Montagu House and was romantically linked to several men. She was accused of flirting with Naval heroes, Admiral Sir William Sidney Smith (1764-1840) and Captain Thomas Manby (1769-1834) and having a brief relationship with politician and future Prime Minister George Canning (1770 –1827). She wasn’t just a known for her social skills, but also her generosity with poor neighbours. In 1802, Caroline adopted a baby boy William Austin when his desperate mother brought him to the house. Read the rest of this entry
A look at the newly-restored, only piece of Turner architecture.
Twickenham is home to some famous former stately homes, such as Marble Hill House and Strawberry Hill. However, there’s a rather less grand, but equally important building that recently been restored to its original Georgian splendour – Turner’s House.
Otherwise known as Sandycombe Lodge, Turner’s House is the Grade II-listed former home of one of Britain’s greatest artists, J.M.W. Turner (1775-1851). In his teens/early adult life, he briefly considered becoming an architect with his Twickenham home the only one of his building designs realised in bricks and mortar. Having opened last year following an extensive renovation and restoration project, what’s left of Turner’s garden has now been completed for the spring, full of green grass and flowers to complement the stunning architecture. I went along last week with some fellow Londoner bloggers for a special tour of Turner’s country retreat.
In the early 19th century, Twickenham wasn’t a part of London but the open countryside. It had become a popular spot for the wealthy to build riverside abodes as a retreat from the bustling city. While born and bred Londoner Turner had a home and studio in the capital, he desperately sought an escape from the pressure of city life. In 1807, he purchased two plots of land in between Twickenham and Richmond and started designing his dream home in a cottage style. Finally, his plans were realised in 1813 and Turner moved in his beloved father, ‘Old William’ Turner (1745–1829), who had retired as a barber and wigmaker. Old William acted as housekeeper and tended what was then 3 acres of garden. The house was relatively modest, just two bedrooms upstairs – a large main overlooking the garden and the River Thames in the distance, and a smaller bedroom in the front. Downstairs, the ground floor featured a main living room, a dining room and small parlour, with a kitchen and further smaller rooms in the lower ground. Although Turner didn’t paint at the house, he did sketch and spent time fishing and strolling along the Thames and occasionally entertaining friends. One famous pal to visit was the Regency architect Sir John Soane (1753-1837), with his influence in the design of Sandycombe Lodge clearly visible in the hallway and staircase.
Turner sold the house in 1826 to a neighbour Joseph Todd, who extended it and rented it out. Turner’s garden was dramatically shrunk in the 1880s after the nearby opening of St Margaret’s railway station saw the area transforming into a more built-up commuter suburb of London. The house remained a residential home until World War II, when it was converted into a ‘shadow factory’ to make goggles. It was during this period, the house really began to deteriorate. However, a saviour came in Professor Harold Livermore (1914-2010), who bought the house in 1947. He was particularly proud of its history and campaigned for its Grade II listed status in the 1950s. Following Prof Livermore’s death in 2010, he gifted the house to the Turner’s House Trust with the provision it should be enjoyed by the nation. Read the rest of this entry
The history of London’s first ever shopping arcade in St James.
Decades before the likes of Westfield and Brent Cross came to London, those who wanted to shop in comfort headed to one of the capital’s arcades. Like the mega malls of today, these arcades featured numerous shops under one roof, providing a sheltered retail experience whatever the weather. However, as well laid out as these modern fashion meccas are, they just can’t compare to the historic and upmarket designs of the late Georgian, Victorian and Edwardian periods. As part of Metro Girl’s series on the five historic arcades of Mayfair and St James, Part 2 will be focusing on where it all began; the Royal Opera Arcade – the oldest arcade in the world.
Now you could well be confused wondering why the Royal Opera Arcade is over a kilometre away from the Royal Opera House in Covent Garden. Well the current opera house has only been in its current location since 1847. The current Her Majesty’s Theatre on Haymarket is the fourth theatre to stand on the site and has experienced numerous name changes throughout history. Throughout the 18th and early 19th century, the theatre was renowned as the place in London to see opera and ballet. However, in 1846, Michael Costa (1808-1884), conductor at Her Majesty’s, had a dispute with the owners and switched allegiance to the Theatre Royal, Covent Garden, bringing most of the company with him. Theatre Royal, Covent Garden was then renamed the Italian Opera House, eventually becoming the Royal Opera House in 1892.
The Royal Opera Arcade was conceived as an add-on to the second theatre to stand on the site – the King’s Theatre. The original King’s Theatre burned down in 1789 and replaced by a new building in 1791, designed by Michael Novosielski (1747–1795), an architect and former scene painter. When it opened, it was the largest theatre in the country. However, as the 19th century progressed, the theatre was in need of improvement. Regency architect John Nash (1752-1835) and his assistant George Stanley Repton (d.1858) altered the façade of the theatre and increased the capacity of the auditorium to 2,500 in 1816-1818. To the west of the theatre, they added the Royal Opera Arcade. Nash is also famous for designing Buckingham Palace, Clarence House, Brighton’s Royal Pavilion, Carlton House Terrace and many others.
Delve into the history of London’s longest arcade on Piccadilly.
Decades before the likes of Westfield came to London, those who wanted to shop in comfort headed to one of the capital’s arcades. Like the mega malls of today, these arcades featured numerous shops under one roof, providing a sheltered retail experience whatever the weather. However, as well laid out as these modern fashion meccas are, they just can’t compare to the historic and upmarket designs of the late Georgian, Victorian and Edwardian period. As part of Metro Girl’s series on the five historic arcades of Mayfair and St James, we will be starting with the Burlington Arcade – the longest and the 2nd oldest of the arcades.
In the early 19th century, the site of the arcade was owned by the wealthy aristocratic Cavendish family. The family had inherited neighbouring Burlington House through marriage when Richard, 3rd Earl of Burlington’s (1694-1753) daughter Lady Charlotte Elizabeth Boyle (1731-1754) wed William Cavendish, 4th Duke of Devonshire (1720-1764), who briefly served as Prime Minister. The couple’s son Lord George Cavendish, 1st Earl of Devonshire, (1754-1834) inherited Burlington House in 1815 and ended up using some of the side garden to erect the arcade. His apparent reasoning for building the mini mall was to prevent the passing public from lobbing oyster shells – a common and affordable food at the time – over the wall into his home. As well as give him more privacy, it would also be a tidy earner for the estate.
Lord George enlisted architect Samuel Ware (1781-1860) to design the arcade with building starting in February 1818. While it was being constructed, the world’s oldest existing shopping arcade, the Royal Opera Arcade opened on Pall Mall in 1818. While the Royal Opera only had shops on one side, the Burlington was a double-sided arcade. Opening on 20 March 1819, the Regency-style building featured a 196 yard long walkway lined by 72 two-storey shop units. The high ceiling covered the walkway featured windows letting in lots of light, with Palladian-style, Ionic columns bringing in some style from the classical world. The arcade cost £29,329, with all shops being occupied by the end of the year. Originally, there were 47 leaseholders, including some females, with tenants and their families residing in the cramped living quarters above their shops.
By 1828, it appeared the arcade was certainly prospering, with milliners, hosiers, linen shops, shoemakers, hairdressers, jewellers, watchmakers, tobacconists, umbrella sellers and florists among the many businesses on site. In 1830, Burlington retailer James Drew was the first in the arcade to receive the Royal Warrant. He made the famous high collars for Prime Minister William Gladstone (1809-1898) and invented the soft collar. Read the rest of this entry
The history behind Horace Walpole’s unique 18th century home.
Without a doubt, Strawberry Hill is one of the most unique houses in the capital. I was first introduced to it when I saw an Instagram photo of the building’s stunning Gallery and wanted to find out more. Built as a private home, it stands in Twickenham, south-west London, a short walk from the Thames and is now open to the public as a museum.
Strawberry Hill was built in stages from 1749 to 1776 as a home for Horace Walpole (1717-1797), a politician and the son of the first British Prime Minister Sir Robert Walpole (1676-1745). Horace was under pressure to find himself a country seat (18th century Twickenham was countryside) and found one of the last sites available in the very fashionable area. The original house on the site was called Chopp’d Straw Hall, which Horace wasn’t too impressed with and renamed his new build Strawberry Hill after finding the name on an old lease.
Work on the house started in 1749 with Horace conceiving a vision of a Gothic castle. His inspiration from Medieval architecture predated the Victorian architectural fashion for Gothic revival many decades later. Horace and his team of amateur architectures looked at the Henry VII chapel and tombs at Westminster Abbey, as well as tombs from Canterbury Cathedral for ideas. The resulting building looks like a cross between castles and Gothic cathedrals. The first stage of construction was complete by 1753, with a second stage of alterations taking place in 1760, a third in 1772, with work finally being completed in 1776, costing £20,720 – a rather hefty sum in the 18th century. Read the rest of this entry
The history of the house and grounds at the end of the Northern Line.
Situated in London’s outer zones, are remnants of former country life. Now enclosed within the capital’s borders, there’s a host of manor houses and country estates which have amazingly managed to survive the frantic building and population boom of the ever-expanding city since the Victorian times. One such ‘leftover’ is Morden Hall Park, an 18th century estate in south-west London. Situated a short walk from Morden tube station, is 120 acres of parkland and historic buildings, enclosed by a 12-foot wall. Once you step inside, the city feels far away as you’re suddenly in a little country oasis.
Previously located in Surrey, Morden was owned by Westminster Abbey before the Dissolution of the Monasteries in the 16th century. It was bought by Sir Richard Garth in 1553, who became Lord of the Manor. The Garth family owned the land for several centuries, with much of the estate being used as a deer park. The 5th Richard Garth built Morden Hall in 1770, with the building being used as a boy’s school from 1830-1873. Around this time, the two-storey Hall was stuccoed. Also in the 18th century, the East Mill was built, with the West Mill added in 1830. Meanwhile, Morden Cottage is a late 18th/early 19th century building featuring weatherboarding, with a Gothic façade linking it to the adjacent Mill Building.
In 1872, the Garth family sold the land to the tobacco merchant Gilliant Hatfeild (1827–1906), who had been brought up on the estate at Morden Cottage. He removed some of the field boundaries and demolished some of the cottages, while creating a tree-lined driveway linking the Hall to new South Lodge. The two mills on site were used to ground down tobacco into snuff until 1922, when a strike convinced Hatfeild’s son to quit the business. One of the original waterwheels that powered the mill still exists today. The family planted many of the trees that still exist, while one of the oldest yew trees in England is outside the cottage. In 1879, the Stable Yard was constructed opposite the cottage, with a distinctive clock tower and weather vane in the shape of a trout. In 1892, the park was described as containing around 100 deer.
The last private owner of the estate, Gilliat Edward Hatfeild (1864-1941) moved out of the grand Hall into the Cottage following the outbreak of World War I so it could be converted to a military hospital. As a confirmed bachelor, Gilliat preferred a simpler lifestyle and remained living at the cottage until his death. He enjoyed country life, with many of existing buildings today reflecting his interests. He was a keen hunter and fisherman, even converting the dairy for trout breeding. In 1930, he created the Rose Garden, which has been restored by the National Trust and now has over 2,000 roses across the 2.5 acres.
Gilliat was very popular with Morden locals and often invited local schoolchildren to visit the grounds. Following his death during World War II, he bequeathed the estate to the National Trust, saying ‘a fee shall not be charged so that my Morden estate shall be open to the public’. He is buried in nearby St Lawrence Church on London Road, which was built in 1636.
Meanwhile, as for the house itself, following the National Trust purchase, it was used as offices until the early 1990s. The NT discovered the house had fallen into disrepair and teamed up with Whitbread to convert the building, while remaining sympathetic to its history, into a Beefeater restaurant and function room in 1996. Today, Morden Hall, is generally off-limits to the public, but is available for weddings following an extensive renovation in 2015. It is Grade-II listed.
Today, the estate contains the historic buildings and the expansive grounds, with the River Wandle running through. Among the features include a rose garden, wetlands, children’s playground, garden centre, city farm, gift shop and café. During the summer months, a pop-up cinema often take places during the evenings. During 2010, the Stable Yard was renovated to be the most energy-efficient historic building in the country. It now offers new visitor facilities, including an exhibition space.
- Morden Hall Park, Morden Hall Road, Morden, SM4 5JD. Nearest station: Morden or Phipps Bridge (Tramlink). For more information and opening times, visit the National Trust website.
For more of Metro Girl’s history posts, click here.
Have you spotted the old lettering reading ‘Exchange and Bullion Office’ on this Georgian terrace?
Without a doubt, Wardour Street is one of the busiest roads in the West End. Stretching the length of Soho and bordered by Chinatown, Leicester Square, Piccadilly Circus and Oxford Street, it means the street attracts a lot of traffic – both vehicle and pedestrian. Most Londoners and tourists will have passed down Wardour Street at some point in their commute to work, sightsee or socialise. However, with the road so busy, how often do you have time to stop and look up at the buildings around you?
Wardour Street is home to a wide range of architecture from the 1700s to present day – such as the W Hotel. The road itself has been named various things over the centuries and has been visible on maps since the Elizabethan times. In the late 16th century, it was named Colmanhedge Lane, which was then a popular route across the fields of the Burton Saint Lazar lands. The lane linked the Charing Cross area to the main road we now know as Oxford Street, which was simply described as ‘the Way from Vxbridge to London’. Old maps of what is now known as Soho shows the lane follows the current Wardour Street nearly exactly, including the slight bends at Old Compton Street and Brewer Street.
Following the Restoration in 1660, the land at the southern end of Wardour Street was leased by Queen Henrietta Maria (1609-1699) to Henry Jermyn, Earl of St. Albans (1605-1684). By 1676, her son King Charles II (1630-1685) granted the freehold of the three and half acre plot to the Earl, who swiftly disposed of the land to builders, who erected buildings by 1681-2. On a 1682 map, what we now know as Wardour Street were actually three different roads – So Ho in the north, Whitcomb Street in the middle and the abbreviated Hedge Lane had remained for the southern end. However, within three years, the portion of the road between Coventry Street and Brewer Street was renamed again as Princes Street after Prince Rupert (1619-1682), while the upper part near Oxford Street was renamed Wardour Street after the landowner at the time Sir Edward Wardour (d.1694). It was during the 17th century that Soho was really transformed from fields into a residential and business district. By 1687, the properties on Princes St were owned by Sir Anthony Deane, who sold them to Richard Bourne. By the 1720s and 1730s, many of the buildings on Princes Street were of poor quality and were torn down and rebuilt by Bourne’s family.
If time travel were ever made possible, I would do everything in my power to get to the front of the queue to try it out. However, with the possibility of crossing space and time looking unlikely at the moment, I’ll have to make do with my imagination…
This is where the unique Dennis Severs’ House comes in. While not exactly a museum, this private house is opened on rare evenings as a ‘still-life drama’. Earlier this month, I booked tickets for an evening visit time slot with my mother after hearing the house was opening its doors. As we weren’t allowed to take photos – so as to not distract from the experience – I will attempt to give a best description as possible of this unusual visit.
The Dennis Severs’ House is located at 18 Folgate Street, standing amidst a neat row of early Georgian terraces, just a stone’s throw from Spitalfields Market. No. 18 was built in 1724 and had four storeys, including a basement – featuring 10 rooms which are all accessed on your visit.
The late American artist Dennis Severs bought the property in 1979 when it was dilapidated and spent 20 years restoring each room in different historical styles from the 18th and 19th centuries. Throughout each room are signs of the fictional inhabitants, the Jervis family, who are imagined to have lived in the house over several generations.
After being greeted at the front door, we were given a brief premise to turn off our phones, no cameras or talking and let the house draw us in. The motto of the house is, ‘You either see it, or you don’t.’ Starting on the ground floor, before working our way down to the basement, then up to the upper floors, each room was full with antique furniture, clothing and other remnants from yesteryear. However, in contrast to museums where visitors are kept at a distance from roped off interiors, you are invited to study the objects in furniture in great detail, up close and personal. If you looked close enough, you could see little notes written by the Jervis family.
Although no-one lives in the house now, lit candles, sound effects and crackling fires makes 18 Folgate Street feel very much alive. Discarded clothing, half-eaten food, unmade beds and broken cups on the floor give the impression the house is still being lived in – but as if the inhabitants have just popped out for a minute, or perhaps left in a rush. The creaky, original staircases and my barely-visible reflection in the aged glass mirrors added to the feeling I was in another time. Further fuelling the historic atmosphere, sound effects of ringing bells, clip-clop of horses and carriages and cannon shots helped drown out the 21st century sounds outside.
After 45 minutes, I left the Dennis Severs’ House very impressed. It is such a unique place and gives you plenty food for thought. When visiting for the first time, keep an open mind and embrace the quiet and olde world of the house. Although it is also open for some daytime visits, through personal experience I would believe the evening visits would be a lot more atmospheric.
To watch Dan Cruickshank’s BBC documentary on the house on YouTube, click here.
- Dennis Severs’ House, 18 Folgate Street, Spitalfields, E1 6BX. Check the website for detailed opening times and how to book. Nearest stations: Liverpool Street or Shoreditch High Street (Overground). For more information, visit the Dennis Severs’ House website.
Read about another special Georgian building in the area, 19 Princelet Street.
For more blog posts on London history, click here.
I have seen or visited museums of immigration in various cities abroad and found them fascinating places. However, it’s astonishing that we don’t have a permanent museum dedicated to it in London, one of the most cosmopolitan cities in the world. The word ‘immigrant’ can conjure up negativity in the media and I have been astounded to hear people I know – who are first generation British born to immigrant parents – talking about immigrants in a bad way, despite their family history. London itself was built by immigrants after all – the Romans! I myself am a daughter of immigrant parents, who came from Ireland in the 1970s. While the Irish are greeted with open arms nowadays, 40 years ago they were often unwelcome in Britain, with signs being placed in pubs and shops reading ‘no dogs, no blacks, no Irish’. My parents faced racism from some areas of society when they first arrived, but fortunately they stayed and I am proud to be a Londoner and of my Irish roots.
While London is noticeably lacking a permanent museum of immigration, this is where, hopefully one day, 19 Princelet Street comes in. This unique building in Spitalfields is a window on the past and an insight to different waves of immigration which shaped our city. Princelet Street is a lovely road off Brick Lane full of 18th century terraced houses which have been mostly restored. At No.19 is the unrestored, Grade II-listed Museum of Immigration and Diversity, which is open only a few days a year.
Two weeks ago, a team of volunteers opened the doors of No.19 to the public for a few hours on three separate days. Despite the biting freezing temperatures, I ventured out on a Sunday afternoon, joining a growing queue along Princelet Street. Although I anticipated waiting for over an hour, it was actually only about 30 minutes (although, I did arrive 15 minutes before opening). No.19 is a three storey (not including the basement) Georgian house which started life as home to French Huguenots, who were fleeing persecution in France. Over the years, the building was divided into separate lodgings and workshops for weavers. As the years went by, No. 19 housed other trades. After the Huguenots moved on, the Irish came to Spitalfields, fleeing the potato famine, then the Jewish. Over their decades at No.19, the Jewish residents built a hidden synagogue in the garden in 1869, which is the main draw of the museum today. The light streams into the synagogue through the coloured glass roof, lighting up the names of those who donated to the synagogue inscribed on the wood panels of the ladies’ balcony.
Within the building are exhibitions prompting the visitors to think about their ancestry and what they think about culture and diversity today. ‘Leave to remain’ by three contemporary artists looks at asylum in Britain, while ‘suitcases and sanctuary’ is a look at immigration through the eyes of local schoolchildren. For me, my visit was a mix of indulging my love of history by seeing an old house in its ‘natural’ state and also giving me food for thought. No.19 is slowly crumbling, hence why it isn’t open all year round. While the faded wallpaper and creaky floorboards are undeniably charming, the building is in need of restoration, with a team trying to raise money to save it and develop it as a museum. I hope they reach their aim, it really is a special place which should be preserved for future generations.
- 19 Princelet Street, Spitalfields, E1 6BH. Nearest stations: Liverpool Street, Aldgate East or Shoreditch High Street (overland). Check out their website or follow them on Twitter to find out about the next open days or how to donate.
Find out about another unique Georgian building in the area, the Dennis Severs’ House.
For more of Metro Girl’s blog posts on London history, click here.